Schetsblad

Jan Brandes, 1770 - 1808

Schetsblad met fantasierijke taferelen. Boven: twistende mannen in het bijzijn van twee vrouwen. Onder: spelende en musicerende putti. Op de achterzijde Diana en badende nimfen.

  • Artwork typedrawing
  • Object numberNG-1985-7-3-78
  • Dimensionsheight 415 mm x width 325 mm
  • Physical characteristicspotlood en deels pen in bruin

Identification

  • Title(s)

    Schetsblad

  • Object type

  • Object number

    NG-1985-7-3-78

  • Description

    Schetsblad met fantasierijke taferelen. Boven: twistende mannen in het bijzijn van twee vrouwen. Onder: spelende en musicerende putti. Op de achterzijde Diana en badende nimfen.


Creation

  • Creation

    draftsman (artist): Jan Brandes

  • Dating

    1770 - 1808

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Material and technique

  • Physical description

    potlood en deels pen in bruin

  • Dimensions

    height 415 mm x width 325 mm


Explanatory note

  • Het opschrift 'fantasibilder' is van E. Kjelberg, 20e eeuws kunsthistoricus.


This work is about

  • Subject


Acquisition and rights

  • Acquisition

    purchase 1985-05-02

  • Copyright

  • Provenance

    ? Collection of the artist; his daughters, Johanna Maria Brandes (1792-1813) and Charlotta Constantia Brandes (1796-1870), Skälsebo;{De Bruijn/Raben 2004, p. 93.} by descent to Erik Kellberg (1883-1960);{De Bruijn/Raben 2004, p. 93.} ? to Brite-Louise Mangs-Kellberg;{File RMA.}…; anonymous sale, London (Sotheby’s), 2 May 1985 sqq., no. 216, £ 50,000, with xx other drawings, to the dealer W. Graham Arader III, New York, for the Rijksmuseum, in exchange for eighteen drawings that were part of this lot, 1985

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


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