Carel Visser (1928–2015) had little use for bronze or marble. With a cutting torch and welding equipment, he transformed steel and iron into sculptures with a distinctly personal character. Over the years, his style became increasingly abstract. In the 1960s and 70s, his work aligned with international movements such as minimal art.
The sculptures, some up to eight metres tall or five metres long, come from museums, private collections and public spaces. Now, for the first time, they are brought together in one place.
