What does craft have to offer now that artificial intelligence (AI) is taking over our knowledge work? Through the example of the goldsmithing technique of filigree, goldsmith Eva van Kempen and archaeologist Maikel Kuijpers explore what craftsmanship means, from the individual maker to the broader sweep of human history.

What does craft have to offer now that artificial intelligence (AI) is taking over our knowledge work? Through the example of the goldsmithing technique of filigree, goldsmith Eva van Kempen and archaeologist Maikel Kuijpers explore what craftsmanship means, from the individual maker to the broader sweep of human history. 

 “You are not supposed to think. There are other people paid for thinking around here”, the American mechanical engineer Frederick Winslow Taylor supposedly said, pushing for scientific management of craftwork in factories for the sake of efficiency. A development that happened around the turn of the 20th century and that is largely responsible for devaluing handwork and deskilling people. Ever since, knowledge work is perceived as superior over handwork.  

Will AI change this? AI exposes how much of our daily economic tasks are dependent on mechanistic rather than mindful reasoning. It devaluates knowledge work and this throws up an interesting question. What’s the role of craft in the 21st century and in the context of AI?  

Through the example of filigree we’ll explore what craftsmanship has to offer. Craft is a way of learning about a real material world. It is fundamentally dependent on embodied cognition and relies on intelligent hands. Not only does this stand in clear opposition to AI, it also speaks to different values: sufficiency, care, and wellbeing.  

We’ll tackle these topics from two contrasting perspectives: what making jewelry means to an individual maker and a community, and what making things offers in the grand scheme of human history.   

Following the lecture, drinks will be served in the Foyer.  

About the speakers

Eva van Kempen
Amsterdam-based goldsmith and researcher

Maikel Kuijpers
Assistant Professor in Archaeology at Leiden University

Eva van Kempen

Eva van Kempen is an Amsterdam-based goldsmith and researcher with 26 years of experience in the craft. Since 2010, she has specialised in filigree, dedicating her practice to the study, preservation, and renewal of this ancient wire technique. She graduated with an MA from the Sandberg Institute (Gerrit Rietveld Academie) in 2020. She is the founder of The Filigree Embassy and author of a safeguarding strategy for filigree as intangible cultural heritage, published in the Journal of Jewellery Research . In 2026, she received the Ambassador of Filigree Award from the Carlo Bosio Filigree Museum in Campo Ligure, Italy. 

Maikel Kuijpers

Maikel Kuijpers is Assistant Professor in Archaeology at Leiden University. His research focusses on our handling of materials and how people have developed skills and knowledge about materials throughout the centuries. He teaches material histories, archaeological theory, prehistoric Europe, and science communication. Maikel holds a PhD from Cambridge University. He is the author of Bronze Age Metalworking in the Netherlands (2008) and An Archaeology of Skill (2018) and numerous academic articles . His work on prehistoric money was featured in the New York Times and BBC radio. He has written for The Correspondent and The Conversation.  In 2019 Kuijpers released the short-documentary film The Future is Handmade . In March 2027, his first mainstream book is published with Penguin Press: Everything Is Material . A Tangible History of Humankind.

Thanks to 

The biannual Marjan Unger Lecture is made possible by the Emmel Fonds / Rijksmuseum Fonds. 

Programme

19:00 - Walk in

19:30 - Start lecture

20:30 - Drinks

22:00 - End

  • Admission €17,50
  • Students €7,50
  • 2 November 2026
  • 19 - 22h
  • Location: Auditorium