Zittende man met hoed en mantel, naar rechts

Jacob Adriaensz Backer, 1618 - 1651

  • Artwork typedrawing
  • Object numberRP-T-1950-412
  • Dimensionsheight 180 mm x width 133 mm
  • Physical characteristicszwart en wit krijt op blauw papier

Identification

  • Title(s)

    Zittende man met hoed en mantel, naar rechts

  • Object type

  • Object number

    RP-T-1950-412


Creation

  • Creation

    draftsman (artist): Jacob Adriaensz Backer

  • Dating

    1618 - 1651

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Material and technique

  • Physical description

    zwart en wit krijt op blauw papier

  • Dimensions

    height 180 mm x width 133 mm


Acquisition and rights

  • Acquisition

    purchase 1950

  • Copyright

  • Provenance

    …; sale, Willem Nicolaas Lantsheer (1826-83, The Hague) and Jeronimo de Vries Jerzn (1808-80, Amsterdam), Amsterdam (F. Muller), 3 June 1884 sqq., no. 321, as Gerard ter Borch (‘G. Terburg. Etude d’Homme, assis. Pierre noire sur papier bleu, rehauss’e de blanc. - H. 18, L. 14’), fl. 52, to William Pitcairn Knowles (1820-94), Rotterdam and Wiesbaden (L. 2634);^[Copy RKD.] his sale, Amsterdam (F. Muller), 25 June 1895 sqq., no. 637, as Gerard ter Borch (‘Gerard Terborch. Portrait d’homme, assis. Pierre noire sur papier bleu, rehaussé de blanc. - H. 18, l. 14 cent.’), fl. 10, to the dealer F. Muller, Amsterdam;^[Copy RKD.] … ; collection Louis Deglatigny (1854-1936), Rouen (L. 1768a); his sale (Quatrième Vente), Paris (E. Ader), 4 November 1937 sqq., no. 18 (‘Backer (Jacob-Adriaensz). Portrait d’homme assis, de trois quarts à droite. Pierre noire avec rehauts de blanc, sur papier bleu. H. 0m182; L. 0m139. Au verso, timbre de la collection W. Pitcairn Knowles’), 550 frs, to the dealer L. Huteau, possibly for René Préjelan (1877-1968);{Copy RKD; Ministère de la culture, Archive de Paris, "A. Paris D42 E3 179", Vente succ. Delatigny, p. 2, no. 18.} … ; from the Galerie de Bayser, Paris, fl. 131.70 to the museum (L. 2228), 1950

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


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