The Good Samaritan

Rembrandt van Rijn (mentioned on object), 1633

While the wounded Jewish man is being lifted from his horse, the Samaritan who rescued him is arranging his lodging with the innkeeper in the door opening. The scene is extremely finely etched and worked out pictorially with rich tonal gradations. Not coincidentally, for this print Rembrandt made a preparatory oil sketch in which, incidentally, the indecorous dog in the foreground is absent.

  • Artwork typeprint
  • Object numberRP-P-1962-48
  • Dimensionsheight 256 mm x width 203 mm
  • Physical characteristicsets, droge naald en burijn

Identification

  • Title(s)

    • The good Samaritan
    • The Good Samaritan
  • Object type

  • Object number

    RP-P-1962-48

  • Inscriptions / marks

    • signature and date: ‘Rembrandt.inventor et. Feecit. 1633’ Lugt
    • collector's mark: Lugt 2228
    • mark: ‘P. Mariette 1681’ 1790
  • Catalogue reference

    • Bartsch 90-4(4)
    • New Hollstein Dutch and Flemish (Rembrandt text) 116-4(4)
    • Hollstein Dutch 90-4(4)

Creation

  • Creation

    • printmaker: Rembrandt van Rijn (mentioned on object)
    • after design by Rembrandt van Rijn
  • Dating

    1633

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Material and technique

  • Physical description

    ets, droge naald en burijn

  • Dimensions

    height 256 mm x width 203 mm


This work is about

  • Subject


Acquisition and rights

  • Credit line

    Mr and Mrs De Bruijn-van der Leeuw Bequest, Muri, Switzerland

  • Acquisition

    bequest 1962

  • Copyright


Documentation

    • Cat.tent. Drawings by Rembrandt and his pupils, Los Angeles (The J. Paul Getty Museum) 2010, p. 71
    • Erik Hinterding, 'Investigation into Paper and Watermarks as a Research Method in Prints and Drawings', in: Jolanta Talbierska, Metodologia, metoda i terminologia grafiki i rysunku. Teoria i praktyka, Warschau 2014, p. 205.

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