Ring with a reclining Vulcan

anonymous, c. 1540 - c. 1560

Sculptors and goldsmiths use the same materials, and in the 16th century they worked in both large and small formats. The celebrated goldsmith Benvenuto Cellini, for example, made monumental sculptures as well as jewellery. Only a few of these sculptor’s pieces, like this ring, have been preserved. The reclining man derives from a sculpture by Michelangelo, Dusk, on the tomb of Lorenzo de’ Medici in Florence.

  • Artwork typering (sieraad)
  • Object numberBK-17184
  • Dimensionsdiameter 2.2 cm
  • Physical characteristicsgoud en gezwart metaal

Identification

  • Title(s)

    Ring with a reclining Vulcan

  • Object type

  • Object number

    BK-17184

  • Description

    Ring van goud met een opgelegde figuur van gezwart metaal, Vulcanus voorstellende.


Creation

  • Creation

    jeweler: anonymous, Italy

  • Dating

    c. 1540 - c. 1560

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Material and technique

  • Physical description

    goud en gezwart metaal

  • Dimensions

    diameter 2.2 cm


This work is about

  • Subject


Acquisition and rights

  • Copyright

  • Provenance

    …; from Dr Fritz Mannheimer (1890-1939), Amsterdam and Paris, fl. 6,350,000, en bloc, to Artistic & General Securities Ltd. as security for a loan from the Mendelssohn & Co. Bank, but kept in usufruct, 1934;{NHA, 476, RMA Archive, inv. no. 2142, Recapitulatie der geïnventariseerde kunstvoorwerpen van wijlen Dr F. Mannheimer, undated, p. 43, no. Pr 187, Artistic no. 17/67; NHA, 233, Arrondissementsrechtbank Amsterdam, inv. no. 1365, “O.R. 256/1939, Faillissementsdossier: nalatenschap Dr. F. Mannheimer, 28 augustus 1939”, image 3, page 2.} purchased from Mendelssohn & Co. Bank, en bloc, by the Dienststelle Mühlmann, The Hague, for Adolf Hitler's Führermuseum, Linz, 1940;{Korthals Altes 1974, pp. 21-22.} war recuperation, SNK, 1945;{HNA, SNK Archive, 2.08.42, inv. no. 548.} on loan, with 1,702 other objects, from the DRVK to the museum, 1952;{Note RMA.} transferred to the museum, 1960

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


Documentation


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