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Evacuées

Zoltán Forrai (signed by artist), 1940 - 1945

Centraal een man, vrouw en kind temidden van verwoestte nog rokende huizen. De man zit op een koffer, de vrouw en het kind hebben resp. koffer en tas in de hand.

  • Artwork typedrawing
  • Object numberNG-1987-8-5
  • Dimensionsheight 191 mm x width 146 mm
  • Physical characteristicspotlood, pen in zwart, penseel in kleuren

Identification

  • Title(s)

    Evacuées

  • Object type

  • Object number

    NG-1987-8-5

  • Description

    Centraal een man, vrouw en kind temidden van verwoestte nog rokende huizen. De man zit op een koffer, de vrouw en het kind hebben resp. koffer en tas in de hand.

  • Inscriptions / marks

    • inscription: ‘49’
    • signature: ‘© ZOLTAN FORRAI / Comeniuslaan 12 / 1412 GP Naarden Holland / tel. 02159-41380’
    • signature: ‘FORRAI’
    • title: ‘Geevacueerd’

Creation

  • Creation

    draftsman (artist): Zoltán Forrai (signed by artist), The Hague

  • Dating

    1940 - 1945

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Material and technique

  • Physical description

    potlood, pen in zwart, penseel in kleuren

  • Dimensions

    height 191 mm x width 146 mm


Explanatory note

  • Wellicht is tekening vervaardig n.a.v. bombardement op Rotterdam.


This work is about

  • Subject

  • Place

  • Period

    1940 - 1945


Acquisition and rights

  • Credit line

    Gift of Z. Forrai, Naarden

  • Acquisition

    gift 1987-03-19

  • Copyright

    erven Zoltán Forrai

  • Provenance

    Donated by the artist, with xx other objects, to the museum, 1987

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


Documentation

  • Documentatiemap NG.


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