De steniging van Stephanus

Rembrandt van Rijn (mentioned on object), 1635

Rembrandt’s copper plates endured after his death and were often used, causing them to gradually wear down and the resulting prints to lose some of their refinement. In an effort to restore their original quality, they were ‘reworked’: the darkest areas were reinforced with fine lines so that they came out a deep black again when printed. Looking closely at this early 20th-century impression, it becomes apparent that the lines appear bolder compared to the earlier impression.

  • Artwork typeprint
  • Object numberRP-P-OB-325
  • Dimensionsheight 95 mm x width 85 mm
  • Physical characteristicsets

Identification

  • Title(s)

    • The stoning of St Stephen
    • The Stoning of Stephen
  • Object type

  • Object number

    RP-P-OB-325

  • Inscriptions / marks

    • inscription: ‘Coppier’
    • signature and date: ‘Rembrandt f. 1635’
  • Catalogue reference

    • Hollstein Dutch 97
    • New Hollstein Dutch and Flemish (Rembrandt text) 140-4(4)
    • Bartsch 97

Creation

  • Creation

    • printmaker: Rembrandt van Rijn (mentioned on object)
    • after design by Rembrandt van Rijn
    • printmaker: workshop of Henry Louis Basan
    • publisher: Michel Bernard en Alvin-Beaumont (possibly)
  • Dating

    • 1635
    • 1850 - 1906
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Material and technique

  • Physical description

    ets

  • Dimensions

    height 95 mm x width 85 mm


This work is about

  • Subject


Acquisition and rights


Documentation


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