The Circumcision in the Stable

Rembrandt van Rijn, 1654

All of Rembrandt’s etchings are pulled from a copperplate. To make an etching, he would cover the plate with a mixture of resin and beeswax, then draw through that surface with a needle to expose the metal. The plate was immersed in acid, which ‘bites’ grooves in these exposed areas. When the plate was inked and put through a printing press with a sheet of paper, an impression of the design appears on the paper.

  • Artwork typecopper plate
  • Object numberRP-D-1993-1
  • Dimensionsheight 97 mm x width 147 mm
  • Physical characteristicsgeïnkte en geverniste etsplaat

Identification

  • Title(s)

    The Circumcision in the Stable

  • Object type

  • Object number

    RP-D-1993-1

  • Inscriptions / marks

    • date: ‘1654’
    • signature

Creation

  • Creation

    graveur: Rembrandt van Rijn

  • Dating

    1654

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Material and technique

  • Physical description

    geïnkte en geverniste etsplaat

  • Dimensions

    height 97 mm x width 147 mm


This work is about

  • Subject


Acquisition and rights

  • Credit line

    Purchased with the support of the F.G. Waller-Fonds

  • Copyright


Documentation

    • C.W. Hardy, 'The Rembrandt plates and Donald Shaw MacLaughan', Print Quarterly 10 (1993), p. 47-53
    • E. Hinterding, The History of Rembrandt’s Copperplates, Zwolle 1995
    • E. Hinterding, ‘The history of Rembrandt’s copperplates, with a catalogue of those that survive’, Simiolus 22 (1993-1994) 4, pp. 253-315
    • Chr. White & K.G. Boon, Rembrandt's etchings : an illustrated catalogue', Amsterdam etc. 1969, nr. 47

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