For the first time in 300 years The Night Watch is complete again
Rijksmuseum reconstructs the missing pieces
Publication date: 23 June 2021 - 07:00
Visitors to the Rijksmuseum can now enjoy The Night Watch in its original form, for the first time in 300 years. Several sections were cut from the painting in the past. The Operation Night Watch team has successfully recreated these missing pieces, which have now been mounted around Rembrandt’s world-famous work. This reconstruction based on the 17th-century copy attributed to Gerrit Lundens was made with the help of artificial intelligence. The result is a significant component in the art historical research conducted as part of Operation Night Watch. The reconstructed painting will remain on public display at the Rijksmuseum for the coming months. Anyone who is unable to visit the museum due to the ongoing restrictions can view the reconstruction on our website, along with plenty of supplementary information.
The Night Watch as it is displayed in the Rijksmuseum is etched into our collective memory. Thanks to this reconstruction, we can now see that the composition as it was painted by Rembrandt was even more dynamic. It is wonderful to be able to now see with our own eyes The Night Watch as Rembrandt intended it to be seen.
Taco Dibbits, director of the Rijksmuseum
- Watch the video about the reconstruction.
- Zoom in on the main differences.
- View the stories about the Night Watch.
There are a number of differences between The Night Watch as we know it today and the painting in its original form. On the left of the reconstructed version, for example, we can now see three figures on a bridge: two militiamen and a young child. And the painting’s main figures, Captain Frans Banninck Cocq and Lieutenant Willem van Ruytenburch, are now positioned to the right of centre, rather than in the middle of the canvas. These factors add a considerable sense of movement and dynamism to the painting. It is now also clearer that the powder boy in the left foreground is grasping a balustrade. The boy has furthermore gained space into which he can move, with the result that he seems more clearly to be running away, ahead of the militia. The helmet worn by the militiaman on the extreme right is now complete, and there is space above the standard, making the motion of the ensign as he raises the company’s colours more convincing.
Art historical research
The reconstruction of The Night Watch is an important component of the art historical research conducted as part of Operation Night Watch. By reconstructing the missing sections, printing them on panels, and temporarily placing them around the original painting, researchers can now experience the effect of the painting in its original form. Operation Night Watch is the largest and most wide-ranging research project ever conducted into Rembrandt’s masterpiece. The research began in summer 2019, and conservation work will only commence following completion of this phase. We do this together with the experts of main partner AkzoNobel.
Rembrandt finished The Night Watch in 1642. The militia commissioned Rembrandt to make the painting for its new banqueting hall at its headquarters, the Kloveniersdoelen. Hanging in this hall, the painting formed part an ensemble comprising seven militia portraits, or schuttersstukken. Experiencing the original composition allows for a better comparison with the six other works. It is not the museum’s intention to incorporate the lost pieces in the actual restoration of The Night Watch.
In 1715, The Night Watch was moved to what was then Amsterdam’s City Hall, now the Royal Palace on Dam Square. The painting was too large for its new location, so it was reduced in size. Strips were cut from all four sides, with the largest section being removed from the left side. These pieces have never been found.
The fate of the missing pieces of The Night Watch remains a great mystery. Each generation has used the tools available to it to attempt to reconstruct the painting. Now we are doing the same, using the most advanced techniques currently available.
Pieter Roelofs, Head of Paintings and Sculptures, Rijksmuseum
We know what the painting originally looked like thanks to the copy commissioned by Captain Frans Banninck Cocq – and probably painted by Gerrit Lundens in the period from 1642 to 1655. This copy served as the basis for the reconstruction made with the help of artificial intelligence. In the first step, the team taught Rembrandt’s technique and use of colour to so-called ‘artificial neural networks’. Once this phase was complete, the computer recreated the missing parts in the style of Rembrandt.
This project testifies to the key importance of science and modern techniques in the research being conducted into The Night Watch. It is thanks to artificial intelligence that we can so closely simulate the original painting and the impression it would have made.
Robert Erdmann, Senior Scientist, Rijksmuseum
- reconstruction: 393,1 x 507,4 (hxw)
- remaining ‘original’ Night Watch: 379,5cm × 436cm (hxw)
- left strip: 64,4 cm
- right strip: 7 cm
- top strip: 23,3 cm
- bottom strip: 11,3 cm
AkzoNobel is the main partner of Operation Night Watch.
Operation Night Watch is made possible by The Bennink Foundation, C.L. de Carvalho-Heineken, PACCAR Foundation, Piet van der Slikke & Sandra Swelheim, American Express Foundation, Familie De Rooij, Het AutoBinck Fonds, TBRM Engineering Solutions, Dina & Kjell Johnsen, Familie D. Ermia, Familie M. van Poecke, Bruker Nano Analytics, Henry M. Holterman Fonds, Irma Theodora Fonds, Luca Fonds, Piek-den Hartog Fonds, Stichting Zabawas, Cevat Fonds, Johanna Kast-Michel Fonds, Marjorie & Jeffrey A. Rosen, Stichting Thurkowfonds, Familie Van Ogtrop Fonds and the Night Watch Fund..
The Rijksmuseum is grateful for all the forms of support that it has received in this difficult period. It is clearer than ever that government funding, contributions from the business community and funds, as well as gifts, legacies and the support of Friends are, and will remain, essential for the Rijksmuseum.