Red skin dreams: twenty years of curating indigenous art at the Venice Biennale

Abstract

"Curator and scholar Nancy Marie Mithlo (Fort Sill Chiricahua Warm Springs Apache Tribe) recounts the challenges of exhibiting Indigenous art at the famed Venice Biennale in a transitional period of rapidly globalized arts discourses"-- Provided by publisher.

Contents

Ceremonial 1999 -- Umbilicus 2001 -- Pellerossasogna 2003 -- Di Mezzo -- Requickening 2007 -- Rendezvoused 2009 -- Epicentro 2011 / Air, land, seed 2013 -- Ga ni tha 2015 / Wa.shka 2017 -- Epilogue.