Wandarm van verguld brons met drie uit asymmetrische C- en S-voluten opgebouwde armen.

anoniem, c. 1750 - c. 1760

Cartel clock. Gilt bronze. Paris, c. 1745, by Charles Cressent, the movement by Jean Baptiste Hervé. Two wall-lights. Gilt bronze. Paris, c. 1750.

Identification

Title(s)
Wandarm van verguld brons met drie uit asymmetrische C- en S-voluten opgebouwde armen.
Object type
Object number
BK-16895-A
Description
Wandarm van verguld brons, met drie armen. De stam en de armen zijn opgebouwd uit asymmetrische S- en C-vormige bladmotieven, evenals de vetvangers en kaarsenhouders. Het oude inventarisnummer 14 is op de wandarmen aangebracht. Zie tevens: BK-16895-b.
Inscriptions / marks
mark: ‘No 14’

Copyright
Public domain
Provenance
…; from Dr Fritz Mannheimer (1890-1939), Amsterdam and Paris, fl. 6,350,000, en bloc, to Artistic & General Securities Ltd. as security for a loan from the Mendelssohn & Co. Bank, but kept in usufruct, 1934;{NHA, 476, RMA Archive, inv. no. 2142, Recapitulatie der geïnventariseerde kunstvoorwerpen van wijlen Dr F. Mannheimer, undated, p. 90, no. Br 78 a/b, Artistic no. 8/3; NHA, 233, Arrondissementsrechtbank Amsterdam, inv. no. 1365, ``O.R. 256/1939, Faillissementsdossier: nalatenschap Dr. F. Mannheimer, 28 augustus 1939´´, image 3, page 2.} purchased from Mendelssohn & Co. Bank, en bloc, by the Dienststelle Mühlmann, The Hague, for Adolf Hitler's Führermuseum, Linz, 1940;{Korthals Altes 1974, pp. 21-22.} war recuperation, SNK, 1945;{HNA, SNK Archive, 2.08.42, inv. no. 548.} on loan, with 1,702 other objects, from the DRVK to the museum, 1952;{Note RMA.} transferred to the museum, 1960
Remarks
Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.