View of a Watermill

  • Artwork typedrawing
  • Object numberRP-T-1889-A-1954
  • Dimensionsheight 293 mm x width 425 mm
  • Physical characteristicsblack chalk, with brown-grey wash; framing line in black ink

Identification

  • Title(s)

    View of a Watermill

  • Object type

  • Object number

    RP-T-1889-A-1954

  • Part of catalogue


Creation

  • Creation

    draftsman (artist): attributed to Cornelis Saftleven [rejected attribution]

  • Dating

    1600 - 1699

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Material and technique

  • Physical description

    black chalk, with brown-grey wash; framing line in black ink

  • Dimensions

    height 293 mm x width 425 mm


This work is about

  • Subject


Acquisition and rights

  • Acquisition

    purchase 1889-04-25

  • Copyright

  • Provenance

    …; from J.H. Valk, Amsterdam (as Jan van Kessel), fl. 14, to the museum (L. 2228), 1889


Documentation


Persistent URL


View of a Watermill

1600 - 1699

Inscriptions

  • inscribed on verso, in pencil: upper left corner, n.ne

  • stamped on verso: lower left corner, with the mark of De Vos (L. 1450); lower centre, with the mark of the museum (L. 2228)


Technical notes

watermark: bunch of grapes, Strasbourg lily and a cross?


Provenance

…; from J.H. Valk, Amsterdam (as Jan van Kessel), fl. 14, to the museum (L. 2228), 1889

Object number: RP-T-1889-A-1954


Entry

The present sheet came into the collection as a drawing by Jan van Kessel (1641-1680) and was later tentatively attributed to Cornelis Saftleven. Schulz questioned the latter attribution and suggested the drawing might instead have been made by Cornelis’s brother, Herman Saftleven (1609-1685).1W. Schulz, Cornelis Saftleven (1607-1685): Leben und Werke, mit einem kritischen Katalog der Gemälde und Zeichnungen, Berlin 1978, p. 165. While the black chalk drawing does reveal similarities to Cornelis’s drawings in some areas, for example in the rendering of the birds with a few effective lines, the messy hatching in the lower half of the drawing is rather different. Furthermore, the washes differ from those used in autograph works, such as in Cornelis’s View in a Village (inv. no. RP-T-1888-A-1503) in the Rijksmuseum’s collection.

Carolyn Mensing, 2020


Literature

W. Schulz, Cornelis Saftleven (1607-1685): Leben und Werke, mit einem kritischen Katalog der Gemälde und Zeichnungen, Berlin 1978, p. 165 (as H. Saftleven?)


Citation

(accessed 1 augustus 2026 12:10:20 UTC+0).

Footnotes

  • 1W. Schulz, Cornelis Saftleven (1607-1685): Leben und Werke, mit einem kritischen Katalog der Gemälde und Zeichnungen, Berlin 1978, p. 165.