Vase with the story of Diana and Actaeon

attributed to Pierre Raymond, c. 1550

Working in white on a black ground, Pierre Raymond introduced subtle tonal nuances in his monochromatic depictions. The flesh tone of the figures is emphasized through the introduction of a bit of red. Unfolding around the vase is the story of the goddess Diana, who turned the hunter Actaeon into a stag for spying on her while she was bathing.

Artwork typevase
Object numberBK-17216
Dimensionsheight 24.6 cm x width 14.4 cm x depth 11.8 cm, diameter 11 cm
Physical characteristicsemail op koper

Discover more

more by Pierre Raymond

Plate with a depiction of the month of March

Pierre Raymond, 1561

Plate with a depiction of the month of March

Salt cellar with Aesop’ Fables

after Pierre Raymond, c. 1560

Jug with putti in a Bacchanalian procession

attributed to Pierre Raymond, c. 1550

Jug with putti in a Bacchanalian procession

Identification

Title(s)
Vase with the story of Diana and Actaeon
Object type
Object number
BK-17216
Description
Vaas van koper, gedecoreerd met voorstelling van email in grisaille tegen een zwarte achtergrond. De brede voet loopt over in een smallere stam. Daarop zijn bustes van putti en guirlandes afgebeeld. Het onderste deel van het vaaslichaam toont aan de ene zijde een badende Diana met haar nimfen, die wordt bespied door Acteaon met daarboven het opschrift DE.DIANE.ET.ACTEON; de andere zijde toon een jachtscène met mannen te paard en honden, die Acteaon met hertenkop aanvallen. De vaas is voorzien van twee S-vormige oren, die lopen van het breedste punt van de vaas tot aan de bovenrand van de halsopening.
Inscriptions / marks
inscription: ‘DE.DIANE.ET.ACTEON.’

Creation

Creation
maker: attributed to Pierre Raymond, Limoges
Dating
c. 1550
Search further with

Material and technique

Physical description
email op koper
Dimensions
- height 24.6 cm x width 14.4 cm x depth 11.8 cm
- diameter 11 cm

This work is about

Subject

Acquisition and rights

Copyright
Public domain
Provenance
Inv.;…; sale, Marcel Cottreau, Paris (Galerie Georges Petit), 28 (29) April 1910 sqq., no. 71, fr. 18,000, to the dealer Seligmann;{Copy RKD.}…; collection Dr Fritz Mannheimer (1890-1939), Amsterdam and Paris, before 1933;{Photo album ‘Het huis van Dr F. Mannheimer, Amsterdam’, 1928-32, Rijksmuseum, inv. no. B-F-1963-426-25.} from whom, fl. 6,350,000, en bloc, to Artistic & General Securities Ltd. as security for a loan from the Mendelssohn & Co. Bank, but kept in usufruct, 1934;{NHA, 476, RMA Archive, inv. no. 2142, Recapitulatie der geïnventariseerde kunstvoorwerpen van wijlen Dr F. Mannheimer, undated, p. 56, no. Em 19, Artistic no. 18/4; NHA, 233, Arrondissementsrechtbank Amsterdam, inv. no. 1365, “O.R. 256/1939, Faillissementsdossier: nalatenschap Dr. F. Mannheimer, 28 augustus 1939”, image 3, page 2.} purchased from Mendelssohn & Co. Bank, en bloc, by the Dienststelle Mühlmann, The Hague, for Adolf Hitler's Führermuseum, Linz, 1940;{Korthals Altes 1974, pp. 21-22.} war recuperation, SNK, 1945;{HNA, SNK Archive, 2.08.42, inv. no. 548.} on loan, with 1,702 other objects, from the DRVK to the museum, 1952;{Note RMA.} transferred to the museum, 1960
Remarks
Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.