The Deposition and the Entombment

anonymous, c. 1290

These two panels are probably fragments from a larger ensemble devoted to the Passion of Christ. The artist followed established conventions for depicting grief and sorrow through gesture. This approach was characteristic of the stiff, rather formulaic style derived from Greek and Byzantine models that was prevalent in 13th-century Italy.

  • Artwork typepainting, fragment
  • Object numberSK-A-3392
  • Dimensionsheight 18.5 cm x width 18 cm
  • Physical characteristicstempera on panel

Identification

  • Title(s)

    The Deposition and the Entombment

  • Object type

  • Object number

    SK-A-3392

  • Description

    De kruisafneming. Het lichaam van Christus wordt door Jozef van Arimathea van het kruis genomen. Nicodemus trekt een spijker uit de voeten. Maria raakt het hoofd en de schouder aan. Maria Magdalena met haar lange haar omvat de rechterhand van Christus. Johannes de linkerhand. Uiterst links en rechts staan twee treurende heilige vrouwen. De figuren staat voor een veel voorkomend type coulissen-decor. Waarschijnlijk oorspronkelijk onderdeel geweest van een altaarstuk (zie ook SK-A-3393).


Creation

  • Creation

    • painter: anonymous, Florence
    • painter: anonymous, Pisa
    • painter: circle of Corso di Buono, Pisa
  • Dating

    c. 1290

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Material and technique

  • Physical description

    tempera on panel

  • Dimensions

    height 18.5 cm x width 18 cm


This work is about

  • Subject


Acquisition and rights

  • Credit line

    J.W.E. vom Rath Bequest, Amsterdam

  • Acquisition

    bequest 1941

  • Copyright

  • Provenance

    …; from the dealer Edward Hutton, London, fl. 3,662, to Julius Wilhelm Edwin vom Rath (1863-1940), Amsterdam, 1925;{Note RMA.} by whom bequeathed, with 305 other objects, to the museum, 1941

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


Documentation


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