The Anglers

Nicolaas Verkolje, c. 1744

Gotcha! Both the men and the women gesture in the direction of the float lying on its side. But who is being hooked here? The ambiguous meaning of this innocentlooking scene will not have escaped the 18th-century viewer. In those days, fishing and catching birds, the subject of the accompanying painting (also on view on this wall), were well-known metaphors for making love.

  • Artwork typepainting
  • Object numberSK-A-5040
  • Dimensionsheight 59 cm x width 47 cm, depth 4 cm
  • Physical characteristicsolieverf op paneel

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Nicolaas Verkolje, 1683 - 1726

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Portrait of David van Mollen and Son-in-Law Jacob Sydervelt with his Family

Nicolaas Verkolje, 1740

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Naakte vrouw met sater en Amor

circle of Nicolaas Verkolje, 1650 - 1750

Naakte vrouw met sater en Amor

Vrouw voor een spiegel, bij kaarslicht

Nicolaas Verkolje (mentioned on object), 1683 - 1746

Vrouw voor een spiegel, bij kaarslicht

Identification

  • Title(s)

    The Anglers

  • Object type

  • Object number

    SK-A-5040

Creation

  • Creation

    • painter: Nicolaas Verkolje, Amsterdam
    • painter: attributed to Nicolaas Verkolje, Amsterdam [rejected attribution]

  • Dating

    c. 1744

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Material and technique

  • Physical description

    olieverf op paneel

  • Dimensions

    • height 59 cm x width 47 cm
    • depth 4 cm

This work is about

  • Subject

Acquisition and rights

  • Credit line

    Purchase made possible by an anonymous bequest

  • Acquisition

    purchase 2017-05-23

  • Copyright

    Public domain

  • Provenance

    …; sale, widow S.A. Westerhof-van der Schagen, Amsterdam (Van der Schley/Yver), 16 May 1781, no. 61 [The Anglers] and no. 64 [The Bird-Catchers], 45 guilders each, to the dealer Fouquet; …; sale J.F. Motte, Amsterdam (van der Schley/ Quinkhard), 20 August 1794, no. 123 (the pair), 70 guilders, to Yver; …; ? coll ection, well-known anonymous collector, Vienna, since the nineteenth century [according to the auction house Dorotheum]; …; anonymous sale, Vienna (Dorotheum), 19 December 2016, no. 203, as Dutch School eighteenth century, to Rafael Valls, London; by whom shown at The European Fine Arts Fair 2017, as attributed to Jan Maurits Quinkhard, and from whom purc hased, on the premises, as by Nicolaas Verkolje, with funds from an anonymous bequest, 2017

Documentation

  • Gregor Weber, 'Recent Acquisitions', Rijksmuseum Bulletin 66 (2018) nr. 1, p. 78-80.

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