Simon Oeben, c. 1765
Panel from a room. Oak. Paris, c. 1750. Console clock, gilt bronze. Paris, c. 1745 - 1749, the movement by Fourrier. Stamped with the crowned C, a tax stamp in use from 1745 to 1749. Table. Oak, veneered with satiné, purplewood and other woods. Paris, c. 1765, by Simon Oeben.
Title(s)
Tafel met marqueterie
Object type
Object number
BK-16663
Description
Tafel versierd met marqueterie van palissander- en mahoniehout en andere houtsoorten op eikenhouten kern. De vier overhoeks geplaatste, gestrekt S-vormige poten gaan met afgeschuinde kop over in de ronde, licht naar voren springende hoeken van de regel. Deze is aan de voor- en achterkant ingeschulpt; aan de zijkanten uitgebogen. De regels vertonen binnen contrasterende velden bloemtakken; boven de poten blijven de velden leegt. Het blad vertoont bloemtakken binnen toegewende C-voluten met schelpmotief.
Catalogue reference
Documentatiemap.
Creation
furniture worker: Simon Oeben, France
Dating
c. 1765
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Provenance
…; collection Dr Fritz Mannheimer (1890-1939), Amsterdam and Paris, before 1933;{Photo album `Het huis van Dr F. Mannheimer, Amsterdam´, 1928-32, Rijksmuseum, inv. no. B-F-1963-426-31.} from whom, fl. 6,350,000, en bloc, to Artistic & General Securities Ltd. as security for a loan from the Mendelssohn & Co. Bank, but kept in usufruct, 1934;{NHA, 476, RMA Archive, inv. no. 2142, Recapitulatie der geïnventariseerde kunstvoorwerpen van wijlen Dr F. Mannheimer, undated, p. 78, no. M 47, Artistic no. 20/18; NHA, 233, Arrondissementsrechtbank Amsterdam, inv. no. 1365, ``O.R. 256/1939, Faillissementsdossier: nalatenschap Dr. F. Mannheimer, 28 augustus 1939´´, image 3, page 2.} purchased from Mendelssohn & Co. Bank, en bloc, by the Dienststelle Mühlmann, The Hague, for Adolf Hitler's Führermuseum, Linz, 1940;{Korthals Altes 1974, pp. 21-22.} war recuperation, SNK, 1945;{HNA, SNK Archive, 2.08.42, inv. no. 548.} on loan, with 1,702 other objects, from the DRVK to the museum, 1952;{Note RMA.} transferred to the museum, 1960
Remarks
Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.
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