Snuifdoos van goud, rechthoekig, versierd met bloemboeketten van émail

Barnabé Sageret, c. 1753 - c. 1754

Snuffbox with a family portrait after Nattier inside the cover. Gold, enamel. Paris, 1753 - 1754, by Charles Barnabé Sageret.

Identification

Title(s)
Snuifdoos van goud, rechthoekig, versierd met bloemboeketten van émail
Object type
Object number
BK-17139
Description
Rechthoekige gouden snuifdoos, met op het deksel en op de zijkanten bloemboeketten in email. Aan de binnenzijde van het deksel een geschilderd familie-portret.
Inscriptions / marks
- duty mark
- date letter
- maker's mark
- countermark

Copyright
Public domain
Provenance
…; collection Eugen Gutmann (1840-1925), Munich, 1912;{Von Falke 1912, p. 78, no. 244, image 61.}…; from Dr Fritz Mannheimer (1890-1939), Amsterdam and Paris, fl. 6,350,000, en bloc, to Artistic & General Securities Ltd. as security for a loan from the Mendelssohn & Co. Bank, but kept in usufruct, 1934;{NHA, 476, RMA Archive, inv. no. 2142, Recapitulatie der geïnventariseerde kunstvoorwerpen van wijlen Dr F. Mannheimer, undated, p. 40, no. Pr 127, Artistic no. 22/60; NHA, 233, Arrondissementsrechtbank Amsterdam, inv. no. 1365, “O.R. 256/1939, Faillissementsdossier: nalatenschap Dr. F. Mannheimer, 28 augustus 1939”, image 3, page 2.} purchased from Mendelssohn & Co. Bank, en bloc, by the Dienststelle Mühlmann, The Hague, for Adolf Hitler's Führermuseum, Linz, 1940;{Korthals Altes 1974, pp. 21-22.} war recuperation, SNK, 1945;{HNA, SNK Archive, 2.08.42, inv. no. 548.} on loan, with 1,702 other objects, from the DRVK to the museum, 1952;{Note RMA.} transferred to the museum, 1960
Remarks
Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.