Self-portrait

Émile Bernard (signed by artist), 1897

‘A nos amis de Hollande’ (to our friends in Holland) Bernard wrote at the upper left. He meant the family of Andries Bonger, to whom he gave this self-portrait. Bernard belonged to the Nabis, the group of artists around Paul Gauguin, and was friends with Vincent van Gogh and Jan Verkade. He painted his self-portrait in the style called Synthetism or Cloisonnism, featuring simple, clearly delineated shapes and a limited range of colours.

  • Artwork typepainting
  • Object numberSK-A-3263
  • Dimensionsheight 52 cm x width 42 cm
  • Physical characteristicsoil on canvas

Identification

  • Title(s)

    • Self-Portrait
    • Self-portrait
  • Object type

  • Object number

    SK-A-3263

  • Description

    Zelfportret van de schilder Emile Bernard. Op tafel een vaas met rozen.

  • Inscriptions / marks

    signature, date and inscription: ‘Emile Bernard 1897. A nos amis de Hollande’


Creation

  • Creation

    painter: Émile Bernard (signed by artist), Sevilla

  • Dating

    1897

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Material and technique

  • Physical description

    oil on canvas

  • Dimensions

    height 52 cm x width 42 cm


This work is about

  • Person

  • Subject


Acquisition and rights

  • Credit line

    Gift of F.W.M., Baroness Bonger-van der Borch van Verwolde, Almen

  • Acquisition

    gift 1936-06

  • Copyright

  • Provenance

    Given by the artist to Andries Bonger (1861-1936), Hilversum, Amsterdam and Aerdenhout, between 1901 and 1904;{Note RMA; Amsterdam 1972, p. 42, no. 84; Amsterdam 2009, p. 96.} donated by his widow, Françoise W.M. Bonger (1887-1975), Almen, to the museum, 1936

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


Documentation


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