Ships at Anchor on a Quiet Sea

Jan van de Cappelle, c. 1640 - c. 1679

Jan van de Cappelle (1626 - 1679). Ships at anchor on a quiet sea, c. 1655. From the vantage point of an inland harbour, the painting presents a view of open sea. Here the artist was interested in recreating the atmosphere of the scene, rather than depicting a specific place or happening. From the collection of the Empress Eugenie Bonaparte (Paris) and others. Gift of Mr. and Mrs. I. de Bruijn-van der Leeuw (Muri near Bern), 1961.

  • Artwork typepainting
  • Object numberSK-A-4042
  • Dimensionsheight 47.5 cm x width 60.5 cm x thickness 3.3 cm, depth 8.6 cm
  • Physical characteristicsoil on canvas

Identification

  • Title(s)

    Ships at Anchor on a Quiet Sea

  • Object type

  • Object number

    SK-A-4042

  • Description

    Schepen voor anker op een kalme zee. Een man met een mand op de rug waadt door het water. Links laden vissers een roeiboot, daarachter drie zeilschepen. In de verte rechts lost een oorlogsschip een schot.


Creation

  • Creation

    painter: Jan van de Cappelle

  • Dating

    c. 1640 - c. 1679

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Material and technique

  • Physical description

    oil on canvas

  • Dimensions

    • height 47.5 cm x width 60.5 cm x thickness 3.3 cm
    • depth 8.6 cm

This work is about

  • Subject


Acquisition and rights

  • Credit line

    De Bruijn-van der Leeuw Bequest, Muri, Switzerland

  • Acquisition

    bequest 1961

  • Copyright

  • Provenance

    Inv.; sale London (Christie’s), 1 July 1927, no. 26, fl. 13,500, Isaäc de Bruijn (1872-1953), Spiez and Muri, near Bern;{Note RMA.} donated to the museum by Isaäc de Bruijn and his wife, Johanna Geertruida de Bruijn-van der Leeuw (1877-1960), Spiez and Muri, near Bern, 1949, but kept in usufruct;{Note RMA.} transferred to the museum, 1961

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


Documentation


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