Rapid photographs

anonymous, 1912 - c. 1920

Between 1912 and 1930, anyone could have their portrait taken at the many so-called rapid photography studios in the shopping streets of mainly (medium) large-size European cities. As if on an assembly line, the youngest clerk shot the photographs with a special camera and in artificial light and developed them. Later in the day, the customer collected a sheet with 12 portrait photos for 25 cents. This form of photographic mass production gave rise to a fascinating tableau of boys, girls, men and women not previously seen in photographs; candid and informal. There were at least 150 quick-photo studios, from Alkmaar to Zutphen. Many called themselves ‘American,’ mistakenly as it turns out because hardly any examples from that country have been found.

  • Artwork typepasse-partout, snelfoto
  • Object numberRP-F-BR-1999-21
  • Dimensionsheight 148 mm x width 326 mm
  • Physical characteristicsontwikkelgelatinezilverdruk

Identification

  • Title(s)

    Rapid photographs

  • Object type

  • Object number

    RP-F-BR-1999-21

  • Inscriptions / marks

    • inscription: ‘B’
    • inscription: ‘Aan de familie Braakensiek/ 1913 28 februari’
    • inscription: ‘Mijn lief/ Dochtertje Annie van Baerle/ 14 jaar oud’

Creation

  • Creation

    • photographer: anonymous
    • photographer: American Automatic Fotografie, Amsterdam
  • Dating

    1912 - c. 1920

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Material and technique

  • Physical description

    ontwikkelgelatinezilverdruk

  • Dimensions

    height 148 mm x width 326 mm


Explanatory note

  • Passe-partout met portretten van mensen uit de familiekring van Marie Jordan. Diagonaal van linksonder naar rechtsboven: George Hendrik Breitner met Marie Jordan, Lise Jordan, Maria Elisabeth Jordan-ten Broeke, Annie van Baerle. Dan helemaal rechtsboven mogelijk Henri van Baerle (1894), daaronder Marie Jordan met ófwel Jacob Jordan (1899), ófwel Carel Jordan (1900), links daarnaast mogelijk Carel Jordan (1868), linksboven van het midden mogelijk Maria van Baerle (1897) en helemaal linksboven een onbekende baby.


This work is about

  • Person

  • Subject


Acquisition and rights

  • Credit line

    On loan from F.B. Douglas-ter Beek, Laren (Gelderland)

  • Copyright


Documentation


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