Post-mortem Portrait of an Old Woman

anoniem, 1850

We can hardly imagine how slow the daguerreotype process was. The long exposure time can be sensed in the sitters’ faces: concentrated looks, each and every wrinkle engraved on the plate. That makes these photos so magical. With living sitters, their heads were sometimes fixed in a device to keep them still. This was unnecessary for post-mortem photography – a 19th-century practice to immortalize the dead.

  • Artwork typephotograph
  • Object numberRP-F-F14377
  • Dimensionsheight 53 mm x width 68 mm, height 93 mm x width 81 mm x thickness 14 mm
  • Physical characteristicsdaguerreotypie; in leren etui met fluwelen voering