Portrait of Hadriaan Beverland with a Prostitute

attributed to Ary de Vois, c. 1676

This striking panel painting shows the eccentric Beverland with a wine glass and a pipe. Sitting next to him is a prostitute. This portrayal was a deliberate provocation. Done in various shades of brown (the so-called brunaille technique), the painting is a preparatory study for the frontispiece of Beverland’s planned edition of erotic texts, De prostibulis veterum (On the brothels of the ancients). Even though it never appeared in print, this ‘book’ lies open on the table!

  • Artwork typepainting
  • Object numberSK-A-3237
  • Dimensionsheight 35.2 cm x width 27.6 cm x thickness 2.3 cm, depth 4.8 cm
  • Physical characteristicsoil on panel

Identification

  • Title(s)

    • Portrait of Hadriaan Beverland with a Prostitute
    • Hadriaan Beverland, Writer of Theological Works and Satirist, with a Prostitute
  • Object type

  • Object number

    SK-A-3237

  • Description

    Portret van Hadriaan Beverland (1650-1716). Schrijver van theologische werken en hekelschriften, met een dame van lichte zeden. De schrijver zit aan een tafel met een pijp in de hand, op tafel staat een glas op een blad. De jonge vrouw heeft haar bovenkleding losgeknoopt en heeft een Beverlands boek met de titel 'De Prostibulis Veterum' (Bordelen in de Oudheid) voor zich. Op de achtergrond een boekenkast.

  • Inscriptions / marks

    inscription: ‘Beverlandus de Prostibulis Veterum’


Creation

  • Creation

    painter: attributed to Ary de Vois

  • Dating

    c. 1676

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Material and technique

  • Physical description

    oil on panel

  • Dimensions

    • height 35.2 cm x width 27.6 cm x thickness 2.3 cm
    • depth 4.8 cm

This work is about

  • Person

  • Subject


Acquisition and rights

  • Credit line

    F.G. Waller Bequest, Amsterdam

  • Acquisition

    bequest 1935-01

  • Copyright

  • Provenance

    …; bequeathed by François Gérard Waller (1867-1934), Amsterdam, with xx other objects, to the museum, 1935

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


Documentation


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