Portrait of David Leeuw (1682-1755), Mennonite Draper

Jan Maurits Quinkhard, 1729

Portret van David Leeuw (1682-1755), Doopsgezind koopman in stoffen en manufacturen. Ten halven lijve, naar rechts. In de linkerhand een snuifdoos met in de deksel de wapens van zijn ouders Jacob Leeuw (1636-1709) en Christina de Flines (1647-1725).

  • Artwork typepainting
  • Object numberSK-A-4818
  • Dimensionsheight 86.5 cm x width 78.5 cm
  • Physical characteristicsoil on canvas

Identification

  • Title(s)

    Portrait of David Leeuw (1682-1755), Mennonite Draper

  • Object type

  • Object number

    SK-A-4818

  • Description

    Portret van David Leeuw (1682-1755), Doopsgezind koopman in stoffen en manufacturen. Ten halven lijve, naar rechts. In de linkerhand een snuifdoos met in de deksel de wapens van zijn ouders Jacob Leeuw (1636-1709) en Christina de Flines (1647-1725).

  • Inscriptions / marks

    signature and date: ‘Quinkhard fecit 1729.’


Creation

  • Creation

    painter: Jan Maurits Quinkhard

  • Dating

    1729

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Material and technique

  • Physical description

    oil on canvas

  • Dimensions

    height 86.5 cm x width 78.5 cm


This work is about

  • Person

  • Subject


Acquisition and rights

  • Acquisition

    purchase 1981

  • Copyright

  • Provenance

    ? collection of the sitter; ? by descent to his sister, Rebecka van Heyst, née Leeuw (1671-1747), Amsterdam;{Note RKD.} her daughter, Maria Agneta Blaauw, née Van Heyst (1710-77), Amsterdam; ? by descent through the family to Abraham Jacob Blaauw (1861-1945);{Note RKD.} his son, Gerard Cornelis Blaauw (1890-1935), The Hague;{Note RKD.} his widow, Johanna Catharina van Steyn, née Van Marle (1900-80), The Hague;{Johanna Catharina remarried after the death of Gerard Cornelis Blaauw (1890-1935); note RKD.} ….; the dealer A. Aardewerk, The Hague, 1980-1981;{Note RKD.} from whom,fl.15,000, to the museum, 1981

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


Documentation


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