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Portrait of Cornelis de Witt (1485-1537)

copy after anonymous, 1500 - before 1537

Portret van Cornelis de Witt (1485-1537). Ten halven lijve, naar rechts met gevouwen handen. Linksboven het familiewapen. Kopie naar een onbekend origineel. Pendant van SK-A-4754. Behoort tot een groep portretten: SK-A-4753 / SK-A-4754/ SK-A-4776 / SK-A-4772 / SK-A-4771 / SK-A-4756 / SK-A-4757 / SK-A-4773 / SK-A-4758 / SK-A-4759 / SK-A-4775 en SK-A-4774.

  • Artwork typepainting
  • Object numberSK-A-4753
  • Dimensionsheight 42 cm x width 32 cm
  • Physical characteristicsoil on panel

Identification

  • Title(s)

    Portrait of Cornelis de Witt (1485-1537)

  • Object type

  • Object number

    SK-A-4753

  • Description

    Portret van Cornelis de Witt (1485-1537). Ten halven lijve, naar rechts met gevouwen handen. Linksboven het familiewapen. Kopie naar een onbekend origineel. Pendant van SK-A-4754. Behoort tot een groep portretten: SK-A-4753 / SK-A-4754/ SK-A-4776 / SK-A-4772 / SK-A-4771 / SK-A-4756 / SK-A-4757 / SK-A-4773 / SK-A-4758 / SK-A-4759 / SK-A-4775 en SK-A-4774.

  • Inscriptions / marks

    inscription: ‘12 C. de Witt WitsZn. 1537’


Creation

  • Creation

    painter: copy after anonymous, Northern Netherlands

  • Dating

    1500 - before 1537

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Material and technique

  • Physical description

    oil on panel

  • Dimensions

    height 42 cm x width 32 cm


Acquisition and rights

  • Credit line

    Jonkheer E.L.W.M. Hoeufft van Velsen Bequest, Meeuwen

  • Acquisition

    bequest 1965

  • Copyright

  • Provenance

    …; ? collection Jonkheer Ir Jacob Pompejus Ernst Hoeufft, Lord van Velsen en Santpoort (1842-1910) The Hague or collection Jonkheer Henrik Hoeufft, Lord van Velsen en Santpoort (1872-1931), Scheveningen;{Moes II, 1905, pp. 632-633, no. 9173.} his son or grandson, Jonkheer Ernest Louis Willy Marc Hoeufft, Lord of Velsen and Santpoort (1903-65), Meeuwen (near ’s-Hertogenbosch); by whom bequeathed, with pendant SK-A-4754 and xx other objects, to the museum, 1965

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


Documentation


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