Naakte man met emmer

Carel Brandes (mentioned on object), 1787 - 1808

Academische figuurstudie van een staand mannelijk naakt met emmer. Gemaakt door Carel Brandes, de broer van Jan, en opgestuurd of meegenomen door diens zoontje Jan Carl Brandes die van 1795-1799 te Skalsebö verbleef.

  • Artwork typedrawing
  • Object numberNG-1985-7-3-93
  • Dimensionsheight 365 mm x width 235 mm
  • Physical characteristicsrood krijt

Identification

  • Title(s)

    Naakte man met emmer

  • Object type

  • Object number

    NG-1985-7-3-93

  • Description

    Academische figuurstudie van een staand mannelijk naakt met emmer. Gemaakt door Carel Brandes, de broer van Jan, en opgestuurd of meegenomen door diens zoontje Jan Carl Brandes die van 1795-1799 te Skalsebö verbleef.

  • Inscriptions / marks

    inscription: ‘dit heeft broer Carel gemaakt’


Creation

  • Creation

    draftsman (artist): Carel Brandes (mentioned on object)

  • Dating

    1787 - 1808

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Material and technique

  • Physical description

    rood krijt

  • Dimensions

    height 365 mm x width 235 mm


This work is about

  • Person

  • Subject


Acquisition and rights

  • Acquisition

    purchase 1985-05-02

  • Copyright

  • Provenance

    ? Collection of the artist; his daughters, Johanna Maria Brandes (1792-1813) and Charlotta Constantia Brandes (1796-1870), Skälsebo;{De Bruijn/Raben 2004, p. 93.} by descent to Erik Kellberg (1883-1960);{De Bruijn/Raben 2004, p. 93.} ? to Brite-Louise Mangs-Kellberg;{File RMA.}…; anonymous sale, London (Sotheby’s), 2 May 1985 sqq., no. 216, £ 50,000, with xx other drawings, to the dealer W. Graham Arader III, New York, for the Rijksmuseum, in exchange for eighteen drawings that were part of this lot, 1985

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


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