Marie Antoinette: The Queen of Fashion: Portrait of Marie Antoinette

Jean François Janinet (mentioned on object), 1777

French queens were expected to set an example in the realm of fashion. As the wife of Louis XVI, Marie Antoinette threw herself into this task with enthusiasm. Together with her marchande de modes Rose Bertin and her hairdresser Léonard, she launched many a new fashion. Court etiquette dictated robes de cour – lavishly embellished gowns with wide skirts. When receiving visitors, Marie Antoinette wore a robe à la polonaise 1 2, but preferred an informal, loose-fitting gown when at her own pavilion in Versailles. This chemise de la reine 3 was quickly adopted by other women of the elite.

  • Artwork typeprint
  • Object numberRP-P-1959-366
  • Dimensionsheight 407 mm x width 317 mm x height 344 mm x width 235 mm
  • Physical characteristicsaquatint in kleuren en ets, gedrukt van meerdere platen

Identification

  • Title(s)

    Marie Antoinette: The Queen of Fashion: Portrait of Marie Antoinette

  • Object type

  • Object number

    RP-P-1959-366

  • Description

    Portret van Marie Antoinette, koningin van Frankrijk, in hofjapon, in een ornamentele omlijsting. Het portret en de omlijsting zijn op afzonderlijke stukken papier gedrukt.

  • Inscriptions / marks

    • collector's mark: Lugt 2228
    • collector's mark: Lugt 230
    • collector's mark: Lugt 2760
  • Catalogue reference

    IFF 56


Creation

  • Creation

    • printmaker: Jean François Janinet (mentioned on object), France
    • after painting by Jean-Baptiste-André Gautier d'Agoty
    • printer (person): Pierre Blin (mentioned on object)
  • Dating

    1777

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Material and technique

  • Physical description

    aquatint in kleuren en ets, gedrukt van meerdere platen

  • Dimensions

    height 407 mm x width 317 mm x height 344 mm x width 235 mm


Explanatory note

  • De ornamentele omlijsting is gedrukt op een afzonderlijk stuk papier.


This work is about

  • Person

  • Subject


Exhibitions


Acquisition and rights


Documentation

  • Margaret Morgan Grasselli, Colorful Impressions. The Printmaking Revolution in Eighteenth-Century France, Washington (National Gallery) 2003-04, nr. 39


Related objects

  • Parts


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