Lady with Dragon Crown Behind a Seated Man

Utagawa Kunisada (I) (mentioned on object), 1820

Een vrouw met een drakenkroon op en een waaier in haar hand, staat achter een zittende man. De man is de acteur Bandô Mitsugorô III (1775-1832) in de rol van Urashimatarô, de jonge visser die door de dochter van de Drakenkoning, gespeeld door Segawa Kikunojô V (1802-32) wordt meegenomen naar het paleis van haar vader op de bodem van de zee. Wanneer Urashimatarô terugkeert naar het vaste land blijken er honderden jaren verstreken te zijn. Met twee gedichten.

  • Artwork typeprint, surimono
  • Object numberRP-P-1991-647
  • Dimensionsheight 216 mm x width 186 mm
  • Physical characteristicsnishikie, with metallic pigments

Identification

  • Title(s)

    Lady with Dragon Crown Behind a Seated Man

  • Series title(s)

    • Een serie van drie prenten over het Draken capitool
    • Tatsu no miyako sanban tsuzuki (series title on object)
  • Object type

  • Object number

    RP-P-1991-647

  • Description

    Een vrouw met een drakenkroon op en een waaier in haar hand, staat achter een zittende man. De man is de acteur Bandô Mitsugorô III (1775-1832) in de rol van Urashimatarô, de jonge visser die door de dochter van de Drakenkoning, gespeeld door Segawa Kikunojô V (1802-32) wordt meegenomen naar het paleis van haar vader op de bodem van de zee. Wanneer Urashimatarô terugkeert naar het vaste land blijken er honderden jaren verstreken te zijn. Met twee gedichten.

  • Part of catalogue

  • Catalogue reference

    • Forrer 536
    • Goslings 48

Creation

  • Creation

    • printmaker: Utagawa Kunisada (I) (mentioned on object), Japan
    • poet: Yanagi no Joen (mentioned on object), Japan
    • poet: Shakuyakutei (mentioned on object), Japan
  • Dating

    1820

  • Search further with


Material and technique

  • Physical description

    nishikie, with metallic pigments

  • Dimensions

    height 216 mm x width 186 mm


Explanatory note

  • Een surimono is een luxe uitgevoerde prent waarop beeld met één of meerdere gedichten gecombineerd is. Bij het drukken van een surimono werd vaak gebruik gemaakt van dikker papier, blinddruk en metaal pigmenten, zoals koper- en zilverpoeder. De prenten werden vaak in opdracht van dichters gemaakt en als exclusief geschenk aan vrienden en relaties gegeven.


This work is about

  • Subject


Acquisition and rights

  • Credit line

    Gift of J.H.W. Goslings, Epse

  • Acquisition

    gift 1991

  • Copyright

  • Provenance

    …; purchased from the dealer Kunsthandel Huys den Esch, Dodewaard, by J.H.W. Goslings (1943-2011), Epse, near Deventer, 1986;{Coll. cat. Goslings 1999, p. 28, cat. no. 48} by whom donated to the museum, 1991


Documentation


Persistent URL


Utagawa Kunisada (I)

Lady with Dragon Crown Behind a Seated Man

Japan, Japan, Japan, 1820

Provenance

…; purchased from the dealer Kunsthandel Huys den Esch, Dodewaard, by J.H.W. Goslings (1943-2011), Epse, near Deventer, 1986;1Coll. cat. Goslings 1999, p. 28, cat. no. 48 by whom donated to the museum, 1991

Object number: RP-P-1991-647

Credit line: Gift of J.H.W. Goslings, Epse


Context

For other illustrations of this tale, see also RP-P-1958-327 and RP-P-1991-654.


The artist

Biography

Utagawa Kunisada (1786-1865) was a pupil of Utagawa Toyokuni, who dominated the field of kabuki prints until his death. Kunisada's prints of beautiful women, bijinga, were also very successful. Only well after he had established himself as a designer of actor prints did he enter the world of surimono design, becoming the most prolific designer of surimono in the Utagawa tradition. He also used the art-names Ichiyusai, Gototei and Kochoro.


Entry

A lady wearing a dragon crown and holding a fan stands behind a seated man.

Print from A Series of Three Prints on the Dragon’s Capital, Tatsu no miyako sanbantsuzuki.

The seated man is the kabuki actor Bando Mitsugoro III in the role of Urashimataro, the young fisherman who one day found a turtle in his nets, which he released back in the water. The turtle was the daughter of the Dragon King, hence the dragon crown worn by the lady - portrayed here Segawa Kikunojo V - who invited the fisherman to visit her father’s palace on the bottom of the sea. On returning to the surface after a while, he discovered that centuries had passed in the human world.

It is difficult to ascertain the performance after which this design was made. In view of the reference to the ‘Dragon’ in the print-title, a dating to the Dragon Year would be most likely. The two actors did, indeed, start the 1819 season together - beginning from the Eleventh Month - but this was for one season only; moreover, the role of Urashimataro appears not to be listed in the reference works. It may therefore be an imaginary representation of the two actors, considered the stars of male and female roles at the time.

Bando Mitsugoro III (1775-1832) acted under this name from 1799 until his death in the Twelfth Month of Tenpo 2, actually 1832. Segawa Kikunojo V (1802-32) acted under this name from 1815 until his death in I/1832.

This is probably a somewhat later issue of the print, lacking the seal of the block-cutter Egawa Tomekichi, which is on the copy illustrated in Keyes.

Two poems by Yanagi no Joen [or Ryujoen?], and Shakuyakutei [Nagane, 1767-1845, earlier Asagi no Uranari. As Sugawara no Nagane, he established his own poetry club, the Sugawararen, publishing from 1826].2Kano, Kaian (ed.), Kyoka jinmei jisho (Dictionary of Names of Kyoka Poets). Kyoto: Rinsen shoten, 1977 (1928), p. 160

The poem by Yanagi no Joen reads:
When the young actor opens the treasure box on the calm misty coast, the Spring of Urashima appears.

Issued by an unidentified poetry club
Signature reading: Gototei Kunisada ga, with seal: Sada


Literature

M. Forrer, Surimono in the Rijksmuseum Amsterdam, Leiden 2013, no. 536


Citation

M. Forrer, 2013, 'Utagawa (I) Kunisada, Lady with Dragon Crown Behind a Seated Man, Japan, 1820', in Surimono from the Goslings Collection in the Rijksmuseum, online coll. cat. Amsterdam: https://data.rijksmuseum.nl/200485451

(accessed 18 April 2026 04:22:00).

Footnotes

  • 1Coll. cat. Goslings 1999, p. 28, cat. no. 48
  • 2Kano, Kaian (ed.), Kyoka jinmei jisho (Dictionary of Names of Kyoka Poets). Kyoto: Rinsen shoten, 1977 (1928), p. 160