Saint Jerome Reading in an Italianate Landscape

Rembrandt van Rijn, c. 1653

The upright format and diagonal sweep of this etching were derived from Titian. Rembrandt underscored the diagonal layout of the depiction by alternating passages of light and shade. He left the foreground deliberately unfinished to produce the effect of bright sunlight. The shaded area behind Jerome is a dense web of parallel and criss-crossed drypoint lines.

  • Artwork typeprint
  • Object numberRP-P-OB-184
  • Dimensionsheight 260 mm x width 209 mm
  • Physical characteristicsets en droge naald, met plaattoon, gedrukt op Japans papier

Identification

  • Title(s)

    • St Jerome reading in an Italian landscape
    • Saint Jerome Reading in an Italianate Landscape
  • Object type

  • Object number

    RP-P-OB-184

  • Inscriptions / marks

    collector's mark: Lugt 240

  • Catalogue reference

    • Hollstein Dutch 104-1(2)
    • Bartsch 104-1(2)
    • New Hollstein Dutch and Flemish (Rembrandt text) 275-1(2)

Creation

  • Creation

    • printmaker: Rembrandt van Rijn
    • after design by Rembrandt van Rijn
  • Dating

    c. 1653

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Material and technique

  • Physical description

    ets en droge naald, met plaattoon, gedrukt op Japans papier

  • Dimensions

    height 260 mm x width 209 mm


This work is about

  • Subject


Exhibitions


Acquisition and rights


Documentation

    • S.D. Kuretsky, 'Rembrandt's tree stump. An iconographic attribute of St Jerome', The Art Bulletin 56 (1974), p. 576-578
    • C.B. Scallen, 'Rembrandt's etching St Jerome reading in an Italian landscape', Delineavit et Sculpsit 8 (1992), p. 1-11

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