Henrik II de Heilige doet boete door flagellatie

Simon Fokke, 1722 - c. 1784

Henrik II (de Heilige, 973-1024) doet boete door flagellatie. Ontwerp voor een prent.

  • Artwork typedrawing, design
  • Object numberRP-T-1999-55
  • Dimensionsheight 81 mm x width 103 mm
  • Physical characteristicsblack chalk

Identification

  • Title(s)

    Henrik II de Heilige doet boete door flagellatie

  • Object type

  • Object number

    RP-T-1999-55

  • Description

    Henrik II (de Heilige, 973-1024) doet boete door flagellatie. Ontwerp voor een prent.

  • Inscriptions / marks

    annotation: ‘Boete van Koning Henrik II (in handschrift van de kunstenaar)’


Creation

  • Creation

    draftsman (artist): Simon Fokke

  • Dating

    1722 - c. 1784

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Material and technique

  • Physical description

    black chalk

  • Dimensions

    height 81 mm x width 103 mm


Explanatory note

  • Ontwerp voor een gravure.


Acquisition and rights

  • Credit line

    Gift of the heirs of G.L. Arnold Bik-Stemfoort

  • Acquisition

    gift 1999

  • Copyright

  • Provenance

    …; ? collection Adrianus Johannes Bik (1790-1872); his son, Frederik Arnold Bik (1826-73); his son, Mr. Adrianus Johannes Emanuel Arnold Bik (1855-1931); his nephew, Adrianus Johannes Emanuel Arnold Bik (1899-1945); his widow, Mrs. Geertruida Louisa Arnold Bik, née Stemfoort (1905-68), The Hague; from whom on loan, with xx other objects, to the museum, 1968-1999; her heirs, A.J.E. Arnold Bik, Heemstede, Ms. G.L. Arnold Bik, Epe, and A.H. Jager, née Arnold Bik, Den Haag; by whom donated, with xx other objects, to the museum, 1999 {Provenance reconstructed in Scalliet 2001, note 1.}

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


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