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Hanger van goud en email met borstbeeld Gustaaf Adolf
anoniem, c. 1632 - c. 1635
Pendant commemorating King Gustav II Adolf of Sweden. Gold, pearl and enamel. Germany, c. 1632-1635.
- Artwork typependant (jewelry)
- Object numberBK-17190
- Dimensionsheight 8 cm x width 4 cm x depth 0.8 cm
- Physical characteristicsgoud en email


Identification
Title(s)
Hanger van goud en email met borstbeeld Gustaaf Adolf
Object type
Object number
BK-17190
Description
Hanger van goud en email, voorstellende het borstbeeld van Gustaaf Adolf in een lauwerkrans. Het medaillon is gesneden uit een munt.
Catalogue reference
Priscilla C. van Leeuwen, 'Zilveren avondmaalskan', Bulletin van de Vereniging Rembrandt 21 (2011) nr. 1, p. 20-21.
Creation
Creation
maker: anoniem, Germany
Dating
c. 1632 - c. 1635
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Material and technique
Physical description
goud en email
Material
Dimensions
height 8 cm x width 4 cm x depth 0.8 cm
This work is about
Person
Subject
Place
Acquisition and rights
Copyright
Provenance
Inv.;…; collection Eugen Gutmann (1840-1925), Munich, 1912;{Von Falke 1912, pp. 8-9, no. 17, image 7.} …; purchased from the estate of Dr Fritz Mannheimer (1890-1939), Amsterdam and Paris, en bloc, by the Dienststelle Mühlmann, The Hague, for Adolf Hitler's Führermuseum, Linz, 1940;{Korthals Altes 1974, pp. 21-22.} war recuperation, SNK, 1945;{HNA, SNK Archive, 2.08.42, inv. no. 548.} on loan, with 1,702 other objects, from the DRVK to the museum, 1952;{Note RMA.} transferred to the museum, 1960
Remarks
Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.
Documentation
Priscilla C. van Leeuwen, 'Zilveren avondmaalskan', Bulletin van de Vereniging Rembrandt 21 (2011) nr. 1, p. 20-21.
Persistent URL
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