Flemish relics; architectural, legendary, and pictorial, as connected with public buildings in Belgium

Frederic George Stephens (mentioned on object), 1866

  • Artwork typebook
  • Object numberRP-F-2001-7-359
  • Dimensionsheight 250 mm x width 190 mm x thickness 25 mm

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English children as painted by Sir Joshua Reynolds an essyay on some of the characteristics of Reynolds as a painter, with especial references to his portraiture of children

Frederic George Stephens (mentioned on object), 1867

English children as painted by Sir Joshua Reynolds an essyay on some of the characteristics of Reynolds as a painter, with especial references to his portraiture of children

Normandy, its gothic architecture and history, as illustrated by twenty-five photographs from buildings in Rouen, Caen, Nantes, Bayeux, and Falaise

Frederic George Stephens (mentioned on object), 1865

Normandy, its gothic architecture and history, as illustrated by twenty-five photographs from buildings in Rouen, Caen, Nantes, Bayeux, and Falaise

Normandy, its gothic architecture and history, as illustrated by twenty-five photographs from buildings in Rouen, Caen, Nantes, Bayeux, and Falaise

Frederic George Stephens (mentioned on object), 1865

Normandy, its gothic architecture and history, as illustrated by twenty-five photographs from buildings in Rouen, Caen, Nantes, Bayeux, and Falaise

Identification

  • Title(s)

    Flemish relics; architectural, legendary, and pictorial, as connected with public buildings in Belgium (title on object)

  • Object type

  • Object number

    RP-F-2001-7-359

  • Inscriptions / marks

    • name: ‘Nathalie Ball Christmas 1865.’
    • inscription: ‘ex libris SFJ’

Creation

  • Creation

    • writer (clerical worker): Frederic George Stephens (mentioned on object)
    • photographer: Cundall & Fleming
    • publisher: Alfred William Bennett (mentioned on object), London

  • Dating

    1866

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Material and technique

  • Dimensions

    height 250 mm x width 190 mm x thickness 25 mm

Acquisition and rights

  • Credit line

    Purchased with the support of the Mondriaan Stichting, the Prins Bernhard Cultuurfonds, the VSBfonds, the Paul Huf Fonds/Rijksmuseum Fonds and the Egbert Kunstfonds

  • Acquisition

    purchase 2001

  • Copyright

    Public domain

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