Etui van goud met zes geëmailleerde taferelen, respectievelijk met bloemen- en groenverkoopsters, kinderen en twee stillevens

Mathieu Coiny (III), c. 1759 - c. 1760

Needle case. Gold, enamel. Paris, 1759 - 1760, by Michel Colas.

  • Artwork typeetui
  • Object numberBK-17168
  • Dimensionsheight 11.9 cm x width 2.1 cm x depth 1.8 cm x weight 59.41 g
  • Physical characteristicsgoud en email

Identification

  • Title(s)

    Etui van goud met zes geëmailleerde taferelen, respectievelijk met bloemen- en groenverkoopsters, kinderen en twee stillevens

  • Object type

  • Object number

    BK-17168

  • Description

    Etui van goud met zes geëmailleerde taferelen, waarop bloemen- en groentenverkoopsters, kinderen en twee stillevens. In lederen etui; groen geverfde roggenhuid (?).

  • Inscriptions / marks

    • countermark
    • redemption mark
    • silver mark
    • maker's mark
    • date letter
    • duty mark

Creation

  • Creation

    • goldsmith: Mathieu Coiny (III), Paris
    • after print by John Ingram
    • after painting by François Boucher
    • goldsmith: Michel Colas, Paris [rejected attribution]
  • Dating

    c. 1759 - c. 1760

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Material and technique

  • Physical description

    goud en email

  • Dimensions

    height 11.9 cm x width 2.1 cm x depth 1.8 cm x weight 59.41 g


This work is about

  • Subject


Acquisition and rights

  • Copyright

  • Provenance

    …; collection George Blumenthal (1858-1941) and Florence Meyer Blumenthal (1875-1930), New York, 1930;{Rubinstein-Bloch VI, 1930, unpag., pl. 81a.}…; collection Dr Fritz Mannheimer (1890-1939), Amsterdam and Paris, 1936;{Von Falke 1936, p. 80, no. K.173.} purchased from his estate, en bloc, by the Dienststelle Mühlmann, The Hague, for Adolf Hitler's Führermuseum, Linz, 1940;{Korthals Altes 1974, pp. 21-22.} war recuperation, SNK, 1945;{HNA, SNK Archive, 2.08.42, inv. no. 548.} on loan, with 1,702 other objects, from the DRVK to the museum, 1952;{Note RMA.} transferred to the museum, 1960

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


Documentation


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