Dish covers, coolers, soup tureens, salt cellars, pepper and mustard pots, sauceboats

Jean Baptiste Claude Odiot, c. 1819

These items are part of an 140-piece service that belonged to Alexandra Vasilievna Engelhardt, a noblewoman at the Russian court. The renowned silversmith Odiot collaborated with the painter Prud’hon and the architect Cavelier. They proudly presented their models at the French national crafts exhibition in 1819. The large late Empire figures, like the kneeling angels supporting the soup tureen, are striking.

  • Artwork typesalt (condiment vessel)
  • Object numberBK-17037-B
  • Dimensionsheight 32.2 cm x width 19.2 cm x depth 12.2 cm x weight 1900 g
  • Physical characteristicsverguld zilver

Identification

  • Title(s)

    • Dish covers, coolers, soup tureens, salt cellars, pepper and mustard pots, sauceboats
    • Double salt with female figures
  • Object type

  • Object number

    BK-17037-B

  • Description

    Empire dubbel zoutvat, van verguld zilver. Op een rechthoekige basis, staan twee vrouwen in antieke klederdracht ruggelings naar een zuil gekeerd. Zij dragen ieder een rond vat met binnenbakje. Gegraveerd met het wapen van Potemkin.

  • Inscriptions / marks

    • alloy mark
    • maker's mark
    • duty mark
    • countermark

Creation

  • Creation

    silversmith: Jean Baptiste Claude Odiot, Paris

  • Dating

    c. 1819

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Material and technique

  • Physical description

    verguld zilver

  • Dimensions

    height 32.2 cm x width 19.2 cm x depth 12.2 cm x weight 1900 g


This work is about

  • Subject


Acquisition and rights

  • Copyright

  • Provenance

    See the provenance for BK-17037-A.

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


Documentation


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