Diederik van Bleyswijk (1711-63), Baron of Eethen and Meeuwen, Lord of Babiloniënbroek, Burgomaster of Gorkum

Conrad Kuster, 1761

Portret van Diederik van Bleyswijk, vrijheer van Eethen en Meeuwen, heer van Babiloniënbroek, burgemeester van Gorkum. Ovaal portret, ten halven lijve, in de linkerhand een snuifdoos, op de achtergrond een buitenverblijf. Pendant van SK-A-3860.

  • Artwork typepainting
  • Object numberSK-A-3859
  • Dimensionsheight 87.5 cm x width 67 cm, depth 5.5 cm
  • Physical characteristicsoil on canvas

Identification

  • Title(s)

    Diederik van Bleyswijk (1711-63), Baron of Eethen and Meeuwen, Lord of Babiloniënbroek, Burgomaster of Gorkum

  • Object type

  • Object number

    SK-A-3859

  • Description

    Portret van Diederik van Bleyswijk, vrijheer van Eethen en Meeuwen, heer van Babiloniënbroek, burgemeester van Gorkum. Ovaal portret, ten halven lijve, in de linkerhand een snuifdoos, op de achtergrond een buitenverblijf. Pendant van SK-A-3860.


Creation

  • Creation

    painter: Conrad Kuster

  • Dating

    1761

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Material and technique

  • Physical description

    oil on canvas

  • Dimensions

    • height 87.5 cm x width 67 cm
    • depth 5.5 cm

This work is about

  • Person

  • Subject


Acquisition and rights

  • Credit line

    Gift of M.C. van Houten, Doorn

  • Acquisition

    gift 1953

  • Copyright

  • Provenance

    ? Commissioned by or for the sitters, Gorinchem; ? their son, Abraham van Bleyswijk (1735-95), Gorinchem; ? his daughter, Antonia Adriana Henrika van Bleyswijk (1766-1803), Meeuwen, near Aalburg (North Brabant); ? her son, Hendrik André Cornelis Tierens (1794-1851), Meeuwen, near Aalburg (North Brabant); ? his daughter, Cornelia Hendrika Andrea Tierens (1818-89), Heusden; ? her daughter, Cecilia Geertruijdt Verhagen (1849-1934), Utrecht; her son, Lieutenant Marius Cornelis van Houten (1879-1953), Doorn, Utrecht; by whom donated to the museum, with xx other objects, 1936, but kept in usufruct; transferred to the museum, 1953

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


Documentation


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