Deksel van vat

workshop of Saracchi, 1600 - 1649

Deksel van vat, van jaspis met gouden montuur, bezet met edelstenen in motieven van email.

  • Artwork typelid, vessel
  • Object numberBK-17096-2
  • Dimensionsheight 5 cm x width 15 cm x depth 10 cm

Identification

  • Title(s)

    Deksel van vat

  • Object type

  • Object number

    BK-17096-2

  • Description

    Deksel van vat, van jaspis met gouden montuur, bezet met edelstenen in motieven van email.


Creation

  • Creation

    goldsmith: workshop of Saracchi, Milaan

  • Dating

    1600 - 1649

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Material and technique

  • Dimensions

    height 5 cm x width 15 cm x depth 10 cm


Acquisition and rights

  • Copyright

  • Provenance

    ….; unknown Italian royal collection;{Note RMA.} …; from Dr Fritz Mannheimer (1890-1939), Amsterdam and Paris, fl. 6,350,000, en bloc, to Artistic & General Securities Ltd. as security for a loan from the Mendelssohn & Co. Bank, but kept in usufruct, 1934;{NHA, 476, RMA Archive, inv. no. 2142, Recapitulatie der geïnventariseerde kunstvoorwerpen van wijlen Dr F. Mannheimer, undated, p. 37, no. Pr 71, Artistic no. 17/68; NHA, 233, Arrondissementsrechtbank Amsterdam, inv. no. 1365, “O.R. 256/1939, Faillissementsdossier: nalatenschap Dr. F. Mannheimer, 28 augustus 1939”, image 3, page 2.} purchased from Mendelssohn & Co. Bank, en bloc, by the Dienststelle Mühlmann, The Hague, for Adolf Hitler's Führermuseum, Linz, 1940;{Korthals Altes 1974, pp. 21-22.} war recuperation, SNK, 1945;{HNA, SNK Archive, 2.08.42, inv. no. 548.} on loan, with 1,702 other objects, from the DRVK to the museum, 1952;{Note RMA.} transferred to the museum, 1960

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


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