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Death Mask Rik Wouters (1882-1916)
Albert Aerts, 1916
Dodenmasker in gips van Rik Wouters (1882-1916), afgegoten in meerdelige mal waarbij de gietnaden niet zijn weggewerkt. In de holle achterkant zit een verbindingsstaaf van ijzer en aan de bovenzijde een ophangoog van metaal. In potlood op de achterzijde: "Een der drie afdrukken; een te Antwerpen; een bij de weduwe; dec. 1965".
- Artwork typedeath mask
- Object numberBK-1996-14
- Dimensionsheight 18 cm x width 18 cm x depth 24 cm
- Physical characteristicsplaster
Identification
Title(s)
Death Mask Rik Wouters (1882-1916)
Object type
Object number
BK-1996-14
Description
Dodenmasker in gips van Rik Wouters (1882-1916), afgegoten in meerdelige mal waarbij de gietnaden niet zijn weggewerkt. In de holle achterkant zit een verbindingsstaaf van ijzer en aan de bovenzijde een ophangoog van metaal. In potlood op de achterzijde: "Een der drie afdrukken; een te Antwerpen; een bij de weduwe; dec. 1965".
Inscriptions / marks
inscription: ‘Een der drie afdrukken; een te Antwerpen; een bij de weduwe; dec. 1965’
Part of catalogue
Creation
Creation
sculptor: Albert Aerts, Amsterdam
Dating
1916
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Material and technique
Physical description
plaster
Dimensions
height 18 cm x width 18 cm x depth 24 cm
This work is about
Person
Acquisition and rights
Acquisition
gift 1996
Copyright
Provenance
…; from the heirs of Jonkheer Hendrik Teding van Berkhout (1879-1969), Amsterdam,{Possibly inherited by one of his daughters, Susanna Frida barones van Höevell-Teding van Berkhout (1909-1998) or Jonkvrouwe Anna Clara Teding van Berkhout (1910-2001), Bergen (N.H.).} to the museum, date unknown, first documented in 1997
Documentation
Cat. Beeldhouwkunst, kunstenaars 1750-1882, 1992 (Brussel), p. 402
Persistent URL
To refer to this object, please use the following persistent URL:
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Albert Aerts
Death Mask Rik Wouters (1882-1916)
Amsterdam, 1916
Inscriptions
- inscription:Een der drie afdrukken; een te Antwerpen; een bij de weduwe; dec. 1965
Technical notes
Cast with the aid of a multi-piece mould taken from the sitter’s face while he was still alive. The casting seams can still be seen.
Provenance
…; from the heirs of Jonkheer Hendrik Teding van Berkhout (1879-1969), Amsterdam,1Possibly inherited by one of his daughters, Susanna Frida barones van Höevell-Teding van Berkhout (1909-1998) or Jonkvrouwe Anna Clara Teding van Berkhout (1910-2001), Bergen (N.H.). to the museum, date unknown, first documented in 1997
Object number: BK-1996-14
Entry
Like many of his fellow countrymen confronted with the violence of the First World War, the Belgian sculptor and painter Rik Wouters fled to the Netherlands in 1914. As a soldier, he was stationed with his battalion at a camp in Amersfoort and later in Zeist.2See J.F. Heijbroek, Rik Wouters in Amsterdam, Amsterdam 2018 for this and subsequent biographical information. During this time, a group of art lovers and curators working for the Rijksmuseum offered him, together with his wife, Nel Duerinckx, a place to live in Amsterdam.3Among them the affluent Amsterdam tobacco merchant Eppe Harkema (1869-1938), Nic. Beets – together with his in-laws, members of the Van Regteren Altena family – Jonkheer Henk Teding van Berkhout, Willem Steenhoff and Aart Pit. The last four were all officially affiliated with the Rijksmuseum, see Heijbroek 2018, pp. 5-11, 18-21. Even prior to this move, Wouters was suffering from a painful, and persistent lump in his mouth cavity: cancer of the jawbone, though the diagnosis was not immediately apparent.4J.F. Heijbroek, Rik Wouters in Amsterdam, Amsterdam 2018, pp. 26-27. See also P.P. Devriese, ‘De laatste levensjaren van Rik Wouters’, Geschiedenis der Geneeskunde (March 1994), pp. 58-64. This ultimately led to surgery on his jaw in March 1915, which nevertheless failed to solve the problem. On 14 October of that same year, a second, more invasive operation was deemed necessary.5J.F. Heijbroek, Rik Wouters in Amsterdam, Amsterdam 2018, pp. 30, 31, 36-38. At this time, a major portion of the right side and roof of Wouters’s mouth was removed. A third operation followed in April 1916. When his condition again took a turn for the worse, it became clear his death was impending. Rik Wouters perished on the night of 11 July at the Prinsengracht Hospital in Amsterdam and was buried at the Buitenveldert Roman Catholic cemetery in the municipality of Nieuwer-Amstel (now part of the City of Amsterdam).
Twelve days prior to his death, Wouters’s former teacher, the Brussels sculptor Albert Aerts (1851-1918), paid him a visit. Aerts was in Amsterdam working on the restoration of the Quellinus sculptures at the Royal Palace on Dam Square in the years 1915-17.6Y. Koopmans, Muurvast en gebeiteld: Beeldhouwkunst in de bouw 1840-1940/Fixed and Chiseled: Sculpture in Architecture 1840-1940, Rotterdam 1997, pp. 306, 340; Aerts worked on this project together with the sculptors Lukas van der Meer (1881-1949), Frans Werner (1879-1955) and others. During his visit, Aerts made casts of Wouters’s face and one of his hands. Five casts of this ‘death mask’ were made in plaster and one in bronze.7The bronze version is in the Royal Museums of Fine Arts of Belgium, Brussels, inv. no. 11625, this museum also holds one of the plaster casts (inv. no. 10298); see J. van Lennep, Catalogus van beeldhouwkunst: Kunstenaars geboren tussen 1750 en 1882, coll. cat. Brussels (Royal Museums of Fine Arts of Belgium) 1992, p. 402. Aerts kept one of the five plasters for himself. The present mask was initially in the possession of Jonkheer Henk Teding van Berkhout (1879-1969), then director of the Rijksprentenkabinet, who also made a drawing of the mask (RP-T-1987-44). Following Wouters’s death, Teding van Berkhout had gone to great lengths to ensure proper care of the sculptor’s workshop estate.8J.F. Heijbroek, Rik Wouters in Amsterdam, Amsterdam 2018. Conceivable is that the cast was given to him by Wouters’s widow, prior to her leaving the Netherlands in 1919, as a token of thanks for his efforts and as a memento of her husband.
Frits Scholten, 2026
Literature
J.F. Heijbroek, Rik Wouters in Amsterdam, Amsterdam 2018, p. 49 (with fig.)
Citation
F. Scholten, 2026, 'Albert Aerts, Death Mask Rik Wouters (1882-1916), Amsterdam, 1916', in F. Scholten and B. van der Mark (eds.), European Sculpture in the Rijksmuseum, online coll. cat. Amsterdam: https://data.rijksmuseum.nl/20061847
(accessed 5 november 2026 08:12:53 UTC+0).Footnotes
- 1Possibly inherited by one of his daughters, Susanna Frida barones van Höevell-Teding van Berkhout (1909-1998) or Jonkvrouwe Anna Clara Teding van Berkhout (1910-2001), Bergen (N.H.).
- 2See J.F. Heijbroek, Rik Wouters in Amsterdam, Amsterdam 2018 for this and subsequent biographical information.
- 3Among them the affluent Amsterdam tobacco merchant Eppe Harkema (1869-1938), Nic. Beets – together with his in-laws, members of the Van Regteren Altena family – Jonkheer Henk Teding van Berkhout, Willem Steenhoff and Aart Pit. The last four were all officially affiliated with the Rijksmuseum, see Heijbroek 2018, pp. 5-11, 18-21.
- 4J.F. Heijbroek, Rik Wouters in Amsterdam, Amsterdam 2018, pp. 26-27. See also P.P. Devriese, ‘De laatste levensjaren van Rik Wouters’, Geschiedenis der Geneeskunde (March 1994), pp. 58-64.
- 5J.F. Heijbroek, Rik Wouters in Amsterdam, Amsterdam 2018, pp. 30, 31, 36-38.
- 6Y. Koopmans, Muurvast en gebeiteld: Beeldhouwkunst in de bouw 1840-1940/Fixed and Chiseled: Sculpture in Architecture 1840-1940, Rotterdam 1997, pp. 306, 340; Aerts worked on this project together with the sculptors Lukas van der Meer (1881-1949), Frans Werner (1879-1955) and others.
- 7The bronze version is in the Royal Museums of Fine Arts of Belgium, Brussels, inv. no. 11625, this museum also holds one of the plaster casts (inv. no. 10298); see J. van Lennep, Catalogus van beeldhouwkunst: Kunstenaars geboren tussen 1750 en 1882, coll. cat. Brussels (Royal Museums of Fine Arts of Belgium) 1992, p. 402.
- 8J.F. Heijbroek, Rik Wouters in Amsterdam, Amsterdam 2018.