The Princess of Orange Visiting the Work-shop of Bartholomeus van der Helst

Hendrik Jacobus Scholten, c. 1850 - c. 1870

Mary Stuart, the widow of Stadtholder William II, looks at her portrait in the workshop of the 17th-century painter Van der Helst. In the background is his unfinished monumental painting Banquet of the Civic Guard, in which the militiamen celebrate the end of the Eighty Years’ War. For his likeness of the princess, Scholten relied on an existing portrait, also by Van der Helst. Scholten thus demonstrated his knowledge of both 17th-century Dutch painting and national history.

  • Artwork typepainting
  • Object numberSK-A-4701
  • Dimensionsheight 46 cm x width 59 cm
  • Physical characteristicsoil on panel

Identification

  • Title(s)

    The Princess of Orange Visiting the Work-shop of Bartholomeus van der Helst

  • Object type

  • Object number

    SK-A-4701

  • Description

    De prinses van Oranje, Maria Henriëtta Stuart, de weduwe van prins Willem II, bezoekt het atelier van Bartholomeus van der Helst. Op de achtergrond de 'Schuttersmaaltijd' van 1648 (SK-C-2). De prinses heeft een waaier in de hand, zij wordt vergezeld door twee heren en een vrouw.

  • Inscriptions / marks

    signature: ‘H.J. Scholten ft.’


Creation

  • Creation

    painter: Hendrik Jacobus Scholten, Netherlands

  • Dating

    c. 1850 - c. 1870

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Material and technique

  • Physical description

    oil on panel

  • Dimensions

    height 46 cm x width 59 cm


This work is about

  • Person

  • Subject


Acquisition and rights

  • Acquisition

    purchase 1977

  • Copyright

  • Provenance

    …; anonymous sale, Bern (Galerie Dobiaschofsky), 7 (8) mei 1971 sqq., no. 408; …; anonymous sale, Amsterdam (Sotheby’s Mak van Waay), 31 October 1977, no. 68, fl. 24,000, to the museum

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


Documentation


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