De ongelovige Thomas herkent Christus

De ongelovige Thomas herkent Christus

RP-T-1889-A-2052

Schatborn 86

• draftsman (artist): Samuel van Hoogstraten
• draftsman (artist): follower of Rembrandt van Rijn
• after drawing by Rembrandt van Rijn (school of)
• draftsman (artist): Nicolaes Maes [rejected attribution]

1650

pen in bruin en pen in grijsbruin

height 176 mm x width 271 mm

Purchased with the support of the Vereniging Rembrandt

purchase 1889

Public domain

…; collection Jonkheer Johann Goll van Franckenstein I (1722-1785), Amsterdam (L. 2987);…; sale, Jacob de Vos Jbzn (1803-82, Amsterdam), Amsterdam (Roos et al.), 22 May 1883 sqq., no. 424, as school of Rembrandt, with fifteen other drawings, fl. 480, to Johannes Hendricus Balfoort (1817-83), Utrecht, for the Vereniging Rembrandt (L. 2135);{According to an inscription on the drawing; copy RKD.} on loan from the Vereniging Rembrandt to the museum (L. 2228), 1883; from the Vereniging Rembrandt, fl. 5,049, with 166 other drawings, to the museum, 1889

• Hans-Martin Rotermund, 'The Motif of Radiance in Rembrandt's Biblical Drawings', Journal of the Warburg and Courtauld Institutes 15 (1952) nr. 3/4, 103-104.
• Werner Sumowski, 'Gerbrand van den Eeckhout als Zeichner', Oud-Holland 77 (1962), p. 29-30.
• Carl Neumann, 'Rembrandt Handzeichnungen', Munchen, 1923, nr. 73.
• Hans-Martin Rotermund, 'Rembrandt u. die rel. Laienbewegung in den Niederlanden seiner Zeit', Nederlandsch Kunsthistorisch Jaarboek 4 (1952/1953), p. 155.
• H.E.A. van Gelder, 'Rembrandt's Christusverschijningen', Oud-Holland 66 (1951), p. 16.
• Ludwig Münz, 'Rembrandts Alterstil und die Barckklassik', Jahrbuch der Kunsthistorischen Sammlungen in Wien, nouv. série, 9 (1935), p. 209.

To refer to this object, please use the following persistent URL:

https://id.rijksmuseum.nl/200118037