Beeld van een zittende godin (Prajñaparamita), Oost-Java

Adrianus Johannes Bik, 1822

Beeld van een zittende godin (Prajñaparamita), gevonden in de nabijheid van Candi Singasari, Oost-Java.

  • Artwork typedrawing, topographical view
  • Object numberRP-T-1999-198
  • Dimensionsheight 274 mm x width 231 mm
  • Physical characteristicspotlood en gewassen inkt

Identification

  • Title(s)

    Beeld van een zittende godin (Prajñaparamita), Oost-Java

  • Object type

  • Object number

    RP-T-1999-198

  • Description

    Beeld van een zittende godin (Prajñaparamita), gevonden in de nabijheid van Candi Singasari, Oost-Java.

  • Inscriptions / marks

    • annotation: ‘Singa Sari’
    • monogram: ‘AJB’

Creation

  • Creation

    draftsman (artist): Adrianus Johannes Bik, Oost-Java

  • Dating

    1822

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Material and technique

  • Physical description

    potlood en gewassen inkt

  • Dimensions

    height 274 mm x width 231 mm


Explanatory note

  • artikel over deze collectie in Bulletin van het Rijksmuseum 49 [2001], nr. 4, pp. 342 e.v.; Blom, Jessy, The antiquities of Singasari, Leiden 1939 (proefschr), pl. 3C; Brandes, J.A., Tjandi Singasari;...,1909, pl. 70 (tek), pl. 67 (foto beeld); collectie RMV 1403-3613: zelfde tek.


Acquisition and rights

  • Credit line

    Gift of the heirs of G.L. Arnold Bik-Stemfoort

  • Acquisition

    gift 1999

  • Copyright

  • Provenance

    …; collection Adrianus Johannes Bik (1790-1872); his son, Frederik Arnold Bik (1826-73); his son, Mr. Adrianus Johannes Emanuel Arnold Bik (1855-1931); his nephew, Adrianus Johannes Emanuel Arnold Bik (1899-1945); his widow, Mrs. Geertruida Louisa Arnold Bik, née Stemfoort (1905-68), The Hague; from whom on loan, with xx other objects, to the museum, 1968-1999; her heirs, A.J.E. Arnold Bik, Heemstede, Ms. G.L. Arnold Bik, Epe, and A.H. Jager, née Arnold Bik, Den Haag; by whom donated, with xx other objects, to the museum, 1999 {Provenance reconstructed in Scalliet 2001, note 1.}

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


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