Two plaques with busts

anonymous, c. 1540 - c. 1560

In the 16th century, artists often combined individual enamel plaques to form large tableaux. The particular form of these examples suggests they may have been intended to fill a corner. It was not unusual for classical gods or ancient heroes to appear in support of the message in the principal scene: often they would symbolize one of the virtues.

  • Artwork typeplaque
  • Object numberBK-17213-A
  • Dimensionsheight 23 cm

Identification

  • Title(s)

    Two plaques with busts

  • Object type

  • Object number

    BK-17213-A

  • Description

    Ruitvormige plaquette van koper, gedecoreerd met een voorstelling in email. Centraal staat het grisaille portret van een vrouw met het hoofd naar rechts gewend. De hoeken zijn opgevuld met vergulde bladranken.

Creation

  • Creation

    maker: anonymous, Limoges

  • Dating

    c. 1540 - c. 1560

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Material and technique

  • Dimensions

    height 23 cm

Acquisition and rights

  • Copyright

    Public domain

  • Provenance

    …; from Dr Fritz Mannheimer (1890-1939), Amsterdam and Paris, fl. 6,350,000, en bloc, to Artistic & General Securities Ltd. as security for a loan from the Mendelssohn & Co. Bank, but kept in usufruct, 1934;{NHA, 476, RMA Archive, inv. no. 2142, Recapitulatie der geïnventariseerde kunstvoorwerpen van wijlen Dr F. Mannheimer, undated, p. 55, no. Em 15 a/b, Artistic no. 16/49; NHA, 233, Arrondissementsrechtbank Amsterdam, inv. no. 1365, “O.R. 256/1939, Faillissementsdossier: nalatenschap Dr. F. Mannheimer, 28 augustus 1939”, image 3, page 2.} purchased from Mendelssohn & Co. Bank, en bloc, by the Dienststelle Mühlmann, The Hague, for Adolf Hitler's Führermuseum, Linz, 1940;{Korthals Altes 1974, pp. 21-22.} war recuperation, SNK, 1945;{HNA, SNK Archive, 2.08.42, inv. no. 548.} on loan, with 1,702 other objects, from the DRVK to the museum, 1952;{Note RMA.} transferred to the museum, 1960

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.

Documentation

Persistent URL

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