Allegorical Figure of a Woman with a Club (Fortitude?)

Giovanni Battista Tiepolo, c. 1740 - 1750

Tiepolo was the leading decorative painter of the 18th century, whose work was admired and commissioned throughout Europe. This oval canvas and its companion –two paintings of a series of four –were undoubtedly part of a large decorative programme in a formal room of a Venetian palace (palazzo). The four oval canvasses were meant to be hung high up, so that the gold ground would reflect the candlelight.

  • Artwork typepainting, grisaille
  • Object numberSK-A-3437
  • Dimensionsheight 81 cm x width 65 cm
  • Physical characteristicsolieverf gouden grond, op doek

Identification

  • Title(s)

    Allegorical Figure of a Woman with a Club (Fortitude?)

  • Object type

  • Object number

    SK-A-3437

  • Description

    Allegorische halfnaakte vrouwenfiguur met een knots, zittend in de wolken. Waarschijnlijk de personificatie van Fortezza (Fortitudo). Pendant van SK-A-3438. Grisaille op gouden ondergrond.


Creation

  • Creation

    painter: Giovanni Battista Tiepolo

  • Dating

    c. 1740 - 1750

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Material and technique

  • Physical description

    olieverf gouden grond, op doek

  • Dimensions

    height 81 cm x width 65 cm


This work is about

  • Subject


Acquisition and rights

  • Credit line

    J.W.E. vom Rath Bequest, Amsterdam

  • Acquisition

    bequest 1941

  • Copyright

  • Provenance

    Inv.;…; from the dealers Jacques Goudstikker and I. Rosenbaum, Amsterdam, fl. 14,000, with SK-A-3438, to Julius Wilhelm Edwin vom Rath (1863-1940), Amsterdam, 1939;{Note RMA; according to a label on the reverse of the painting.} or from the dealer J. Goudstikker, Amsterdam, on behalf of the dealer I. Rosenbaum, Amsterdam, fl. 14,000, with SK-A-3438, to Julius Wilhelm Edwin vom Rath (1863-1940), Amsterdam, 1939;{Note RMA; according to a label on the reverse of the painting.} by whom bequeathed, with 305 other objects, to the museum, 1941

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


Documentation


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