Drie manskoppen

Jacob de Wit (possibly), 1705 - 1721

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Zwevende cherubijnen met een bloemenmand

Jacob de Wit (mentioned on object), 1722 - 1737

Jupiter, Disguised as Diana, Seducing the Nymph Callisto

Jacob de Wit (signed by artist), 1727

Design for a ceiling painting with the Apotheosis of Aeneas, in the corners the Four Seasons

Jacob de Wit, c. 1720 - c. 1725

Aartsengel Michaël verslaat de draak

Jacob de Wit (mentioned on object), 1720

Putti with Mirrors

Jacob de Wit, 1725 - 1744

Winter

Jacob de Wit, 1740

Title(s)
Drie manskoppen
Object type
Object number
RP-T-1939-20
Inscriptions / marks
- annotation, on the recto of the old mount, pen and brown ink: ‘De la collection de Mr. Jacob de Vos / M[emb]re de l'Inst[itu]t & de l'Acad[émie] des Arts. Amst[erdam] / m[or]t 1833 - Du depuis a Mr. H. A. K. [Hendrik Abraham Klinkhamer] / Conserv[ateur] au Musée d'Amsterdam. / Jacob de Wit administrateur de P. / P. Rubens, copia beaucoup d'apres / ce dernier. Né a Amster[erda]m en 1695 - / m[or]t en 1754.’
- collector's mark, on the verso of the old mount: Lugt 4179
- collector's mark, verso, centre: Lugt 2228
Catalogue reference
Jaarverslag 1939, p. 13 (afb. t.o. p. 13).

Creation
- draughtsman: Jacob de Wit (possibly)
- draughtsman: Jean Antoine Watteau [rejected attribution]
Dating
1705 - 1721
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Acquisition
purchase 1939
Copyright
Public domain
Provenance
Inv.; …; from the dealer Brouwer, Arnhem, fl. 50, as Jacob de Wit, to the museum, 1939
Remarks
Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.