Aan de slag met de collectie:
Krijger met stokpaard, jaar van het Paard
Utagawa Toyohiro (vermeld op object), 1822
Wanneer je de maankalender aanhoudt, valt Nieuwjaar iets later in het jaar dan in het Westen. Daarom zie je op Nieuwjaars-surimono vaak kersenbloesem. Deze toneelspeler, verkleed als de heldhaftige krijger Ashina Saburo, heeft een stokpaard vast, een duidelijke verwijzing naar het jaar van het Paard. Op zijn kimono en op de achtergrond is kersenbloesem te zien. Op de zwaarden is metaalpigment gebruikt.
- Soort kunstwerkprent, surimono
- ObjectnummerRP-P-2004-517
- Afmetingenblad: hoogte 193 mm (yokonagaban) x breedte 534 mm
- Fysieke kenmerkenkleurenhoutsnede; lijnblok met kleurblokken
Ontdek verder
Identificatie
Titel(s)
- Krijger op een stokpaard
- Krijger met stokpaard, jaar van het Paard
Objecttype
Objectnummer
RP-P-2004-517
Beschrijving
De krijger Asahina Saburo, met voor deze kabuki acteursrol kenmerkende schmink, voert met stokpaard en tussen lentebloesem een Nieuwjaarsdans (Harugoma) uit. Het stokpaard verwijst naar het jaar van het paard (1822).
Opschriften / Merken
datum
Onderdeel van catalogus
Catalogusreferentie
Forrer 192
Vervaardiging
Vervaardiging
prentmaker: Utagawa Toyohiro (vermeld op object), Japan
Datering
1822
Zoek verder op
Materiaal en techniek
Fysieke kenmerken
kleurenhoutsnede; lijnblok met kleurblokken
Afmetingen
blad: hoogte 193 mm (yokonagaban) x breedte 534 mm
Toelichting
Harugoma (stokpaard of lente paard) is een dans die tijdens het nieuwe jaar wordt opgevoerd.
Dit werk gaat over
Onderwerp
Verwerving en rechten
Credit line
Schenking van de heer J.H.W. Goslings, Epse
Verwerving
schenking 2004
Copyright
Herkomst
…; collection Adolphe Stoclet (1871-1949), Paris; his sale, London (Sotheby's), 8 June 2004, no. 445, to J.H.W. Goslings (1943-2011), Epse, near Deventer;{Coll. cat. Forrer 2013, p. 107, cat. no. 192} by whom donated to the museum, 2004
Documentatie
- Matthi Forrer, ‘The Asahina Long Surimono’, Andon 1 (1981), no. 2, p. 53f.
- Japanese prints, illustrated books and paintings Sotheby’s (London), 2004, cat. nr. 445.
Gerelateerde objecten
Gerelateerd
Duurzaam webadres
Als u naar dit object wilt verwijzen, gebruik dan de duurzame URL:
Vragen?
Ziet u een fout? Of heeft u extra informatie over dit object? Laat het ons weten!
Utagawa Toyohiro
A Warrior Holding a Hobby-horse
Japan, 1822
Inscriptions
- date
Provenance
…; collection Adolphe Stoclet (1871-1949), Paris; his sale, London (Sotheby's), 8 June 2004, no. 445, to J.H.W. Goslings (1943-2011), Epse, near Deventer;1Coll. cat. Forrer 2013, p. 107, cat. no. 192 by whom donated to the museum, 2004
Object number: RP-P-2004-517
Credit line: Gift of J.H.W. Goslings, Epse
Context
This print belongs to a somewhat unusual series in that it was not published all at once, but was issued one print per year. It appears to have been an initiative of the poet Sakuragawa Jihinari (1761-1837?). Calculating back, it seems he started the series in 1798 and continued issuing designs for more than 50 years. The first fifteen or so were possibly designed by Jihinari himself. He contracted Utagawa Toyohiro (1773-1829) to make the designs for the following group, to which this and the following print belong. After Toyohiro died at the end of 1829, having finished his design for the New Year of 1830, Jihinari made the designs for a number of years, until Utagawa Hiroshige (1797-1858) took over. The annotations of Jihinari's age in the designs he created in
the 1830s have led us to adopt a different year for his death than is used in most reference works: 1837 instead of 1833 (see also RP-P-1999-250, attributed to Sakuragawa Jinko). For another design by Jihinari, see AK-MAK-1555. This is not the only serial publication of New Year's surimono of this type, see RP-P-1991-646 and Ota2Fujisawa Morihiko korekushon surimono o chuushin to shite (The Fujisawa Morihiko Collection: with a Stress on Surimono) Tokyo: Ota Memorial Museum of Art, 1998, p. 238. for an example by the writer Shikitei Sanba (1776-1822).
For others of the series, see:
1: 1798 Jihinari - not identified
3: 1800(?) Jihinari3Meissner, Kurt, Japanese Woodblock Prints in Miniature. The Genre of Surimono. London: Paul, Trench, Trubner & Co., 1970, Kalenderdaten, p. 31.
9: 1806(?) Jihinari - Stanford Museum
15: 1812(?) Jihinari4Fine Japanese Prints from the Collection of Sidney C. Ward /.../ November 5, 1985. New York: Christie’s, Manson & Woods International, 1985.
19: 1816 Toyohiro5Hempel, Rose, Ukiyo-e. Die Kunst der heiteren vergänglichen Welt, Japan 17. - 19. Jahrhundert, Sammlung Scheiwe. Recklinghuisen: Bongers, 1972, p. 207.
22: 1819 Toyohiro6Fine Japanese Prints from the Collection of Sidney C. Ward /.../ November 5, 1985. New York: Christie’s, Manson & Woods International, 1985.
23: 1820 Toyohiro7Fine Japanese Prints from the Collection of Sidney C. Ward /.../ November 5, 1985. New York: Christie’s, Manson & Woods International, 1985.
27: 1824 Toyohiro8Fine Japanese Prints from the Collection of Sidney C. Ward /.../ November 5, 1985. New York: Christie’s, Manson & Woods International, 1985; Masterpieces of Ukiyoe from the Pulverer Collection (Doitsu Puruberaa korekushon ukiyoe hanga meihin ten). Tokyo: Asahi Shinbunsha, 1990; Kruml, Richard: Surimono Prints, Catalogue 15. London, 1975, p. 10.
28: 1825 Toyohiro9Fine Japanese Prints from the Collection of Sidney C. Ward /.../ November 5, 1985. New York: Christie’s, Manson & Woods International, 1985.
29: 1826 Toyohiro10Hempel, Rose, Ukiyo-e. Die Kunst der heiteren vergänglichen Welt, Japan 17.?19. Jahrhundert, Sammlung Scheiwe. Recklinghuisen: Bongers, 1972, p. 208.
30: 1827 Toyohiro - Fogg11Fine Japanese Prints from the Collection of Sidney C. Ward /.../ November 5, 1985. New York: Christie’s, Manson & Woods International, 1985; Bowie, Theodore, et al.,Art of the Surimono. Bloomington: Indiana University Art Museum, 1979, p. 30.
31: 1828 Toyohiro12Fine Japanese Prints from the Collection of Sidney C. Ward /.../ November 5, 1985. New York: Christie’s, Manson & Woods International, 1985.
32: 1829 Toyohiro13Fine Japanese Prints from the Collection of Sidney C. Ward /.../ November 5, 1985. New York: Christie’s, Manson & Woods International, 1985.; Austin
33: 1830 Toyohiro14Ward, Sidney C., One Hundred Surimono in the Collection of Sidney C. Ward. Privately Published, 1976, p. 42.
35: 1832 Jihinari15Fine Japanese Prints from the Collection of Sidney C. Ward /.../ November 5, 1985. New York: Christie’s, Manson & Woods International, 1985; [http://legionofhonor.famsf.org./legion/collections/japanese-prints#
36: 1833 Jihinari16Fine Japanese Prints from the Collection of Sidney C. Ward /.../ November 5, 1985. New York: Christie’s, Manson & Woods International, 1985.
37: 1834 Jihinari, age 7417Ward, Sidney C., One Hundred Surimono in the Collection of Sidney C. Ward. Privately Published, 1976, p. 43.
39: 1836 Jihinari, age 76, Private collection
43: 1840 Hiroshige18Hempel, Rose, Ukiyo-e. Die Kunst der heiteren vergänglichen Welt, Japan 17.?19. Jahrhundert, Sammlung Scheiwe. Recklinghuisen: Bongers, 1972, p. 504.
44: 1841 Hiroshige19Uchida, Minoru, Hiroshige. Tokyo: Iwanami Shoten, 1930, p. 85.
51: 1848 Hiroshige - Lieftinck Sale 132, pl 3; Andon (2), 53
??: 1820s Toyohiro.20Fujisawa Morihiko korekushon surimono o chuushin to shite (The Fujisawa Morihiko Collection: with a Stress on Surimono) Tokyo: Ota Memorial Museum of Art, 1998, p. 96.
The artist
Biography
Utagawa Toyohiro (1773-1828) is said to have entered Utagawa Toyoharu's studio from 1782, though most of his work only seems to date from the early 19th century.
Entry
The Twenty-fifth Year, Nijugonentsuzuki, from the series The Happy Annual Custom of Asahina Continued by Jihinari, Jihinari kichirei Asahina, issued by the poet Sakuragawa Jihinari, 1822.
The warrior in this design is the popular hero Asahina Saburo, a servant of Kudo Suketsune, the villain in the Soga drama. Asahina defected to the Soga brothers (for a lengthier discussion about the protagonists in this kabuki drama, see RP-P-1958-416). He is portrayed across almost the full width of the sheet, dressed in a black kimono decorated with cherry blossoms floating on a stream, his breast bare, and wearing a belt, mawashi, around his waist. He holds a hobby-horse in his right hand, with the cloth reins hanging around his neck. A blossoming plum tree behind him.
The hobby-horse is an obvious allusion to the zodiacal sign for 1822, a Year of the Horse.
No poems.
Issued by the poet Sakuragawa Jihinari
Signature reading: Toyohiro ga
Literature
M. Forrer, Surimono in the Rijksmuseum Amsterdam, Leiden 2013, no. 192
Citation
M. Forrer, 2013, 'Utagawa Toyohiro, A Warrior Holding a Hobby-horse, Japan, 1822', in Surimono from the Goslings Collection in the Rijksmuseum, online coll. cat. Amsterdam: https://data.rijksmuseum.nl/200470286
(accessed 8 December 2025 17:34:59).Footnotes
- 1Coll. cat. Forrer 2013, p. 107, cat. no. 192
- 2Fujisawa Morihiko korekushon surimono o chuushin to shite (The Fujisawa Morihiko Collection: with a Stress on Surimono) Tokyo: Ota Memorial Museum of Art, 1998, p. 238.
- 3Meissner, Kurt, Japanese Woodblock Prints in Miniature. The Genre of Surimono. London: Paul, Trench, Trubner & Co., 1970, Kalenderdaten, p. 31.
- 4Fine Japanese Prints from the Collection of Sidney C. Ward /.../ November 5, 1985. New York: Christie’s, Manson & Woods International, 1985.
- 5Hempel, Rose, Ukiyo-e. Die Kunst der heiteren vergänglichen Welt, Japan 17. - 19. Jahrhundert, Sammlung Scheiwe. Recklinghuisen: Bongers, 1972, p. 207.
- 6Fine Japanese Prints from the Collection of Sidney C. Ward /.../ November 5, 1985. New York: Christie’s, Manson & Woods International, 1985.
- 7Fine Japanese Prints from the Collection of Sidney C. Ward /.../ November 5, 1985. New York: Christie’s, Manson & Woods International, 1985.
- 8Fine Japanese Prints from the Collection of Sidney C. Ward /.../ November 5, 1985. New York: Christie’s, Manson & Woods International, 1985; Masterpieces of Ukiyoe from the Pulverer Collection (Doitsu Puruberaa korekushon ukiyoe hanga meihin ten). Tokyo: Asahi Shinbunsha, 1990; Kruml, Richard: Surimono Prints, Catalogue 15. London, 1975, p. 10.
- 9Fine Japanese Prints from the Collection of Sidney C. Ward /.../ November 5, 1985. New York: Christie’s, Manson & Woods International, 1985.
- 10Hempel, Rose, Ukiyo-e. Die Kunst der heiteren vergänglichen Welt, Japan 17.?19. Jahrhundert, Sammlung Scheiwe. Recklinghuisen: Bongers, 1972, p. 208.
- 11Fine Japanese Prints from the Collection of Sidney C. Ward /.../ November 5, 1985. New York: Christie’s, Manson & Woods International, 1985; Bowie, Theodore, et al.,Art of the Surimono. Bloomington: Indiana University Art Museum, 1979, p. 30.
- 12Fine Japanese Prints from the Collection of Sidney C. Ward /.../ November 5, 1985. New York: Christie’s, Manson & Woods International, 1985.
- 13Fine Japanese Prints from the Collection of Sidney C. Ward /.../ November 5, 1985. New York: Christie’s, Manson & Woods International, 1985.
- 14Ward, Sidney C., One Hundred Surimono in the Collection of Sidney C. Ward. Privately Published, 1976, p. 42.
- 15Fine Japanese Prints from the Collection of Sidney C. Ward /.../ November 5, 1985. New York: Christie’s, Manson & Woods International, 1985; [http://legionofhonor.famsf.org./legion/collections/japanese-prints#
- 16Fine Japanese Prints from the Collection of Sidney C. Ward /.../ November 5, 1985. New York: Christie’s, Manson & Woods International, 1985.
- 17Ward, Sidney C., One Hundred Surimono in the Collection of Sidney C. Ward. Privately Published, 1976, p. 43.
- 18Hempel, Rose, Ukiyo-e. Die Kunst der heiteren vergänglichen Welt, Japan 17.?19. Jahrhundert, Sammlung Scheiwe. Recklinghuisen: Bongers, 1972, p. 504.
- 19Uchida, Minoru, Hiroshige. Tokyo: Iwanami Shoten, 1930, p. 85.
- 20Fujisawa Morihiko korekushon surimono o chuushin to shite (The Fujisawa Morihiko Collection: with a Stress on Surimono) Tokyo: Ota Memorial Museum of Art, 1998, p. 96.











