Two Falcons

Meissener Porzellan Manufaktur, 1731

The porcelain factory at Meissen, near Dresden, was founded in 1709. It was the first European factory to produce ‘true’ or hard-paste porcelain, like that known in China and Japan. The manufactory was owned by Augustus the Strong, Elector of Saxony and King of Poland. All the birds and animals in this display case were made for him. They were intended for his so-called Japanese Palace, the walls of which he wished to fill with porcelain.

  • Artwork typefigure
  • Object numberBK-1972-268-A
  • Dimensionsheight 54.7 cm x width 21.6 cm x depth 29.8 cm, width 21.6 cm x depth 25.9 cm

Identification

  • Title(s)

    • Two Falcons
    • Falcon
  • Object type

  • Object number

    BK-1972-268-A

  • Description

    Figuur van beschilderd porselein. De figuur stelt een valk voor op een boomstronk, die geplaatst is in het midden van een grond met rotsen. De valk is beschilderd in bruin, grijs, zwart en geel. De figuur is gemerkt.

  • Inscriptions / marks

    factory mark: ‘AR’


Creation

  • Creation

    • porcelain company: Meissener Porzellan Manufaktur, Meissen
    • porseleinmodelleur: Johann Joachim Kändler, Meissen
  • Dating

    1731

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Material and technique

  • Dimensions

    • height 54.7 cm x width 21.6 cm x depth 29.8 cm
    • width 21.6 cm x depth 25.9 cm

This work is about

  • Subject


Acquisition and rights

  • Copyright

  • Provenance

    …; collection Johanneum, Dresden;{Von Falke 1936, p. 280, no. Po. 92a,b.} …; collection Dr Fritz Mannheimer (1890-1939), Amsterdam and Paris, 1936;{Von Falke 1936, p. 280, no. Po92a,b.} purchased from his estate, en bloc, by the Dienststelle Mühlmann, The Hague, for Adolf Hitler's Führermuseum, Linz, 1940;{Korthals Altes 1974, pp. 21-22.} war recuperation, SNK, 1945;{HNA, SNK Archive, 2.08.42, inv. no. 548.} on loan, with 1,702 other objects, from the DRVK to the museum, 1952;{Note RMA.} transferred to the museum, 1960

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


Documentation


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