Tea tray, cake stands, jam dish, sugar bowls, coffee pot and milk jug

Martin Guillaume Biennais, c. 1817

This is not just any service. These objects belong to a huge coffee and tea service that originally comprised more than a thousand pieces. The Russian tsar Nicholas I bought it from the French silversmith Biennais in 1817. The pieces are double gilded, so they look like they are made of solid gold. The geometric shapes and type of rims are typical of the early Empire style.

  • Artwork typecoffee pot
  • Object numberBK-17027-A
  • Dimensionsheight 37 cm x width 22.5 cm x depth 16 cm x weight 2046 g
  • Physical characteristicsverguld zilver, ebbenhout

Identification

  • Title(s)

    Tea tray, cake stands, jam dish, sugar bowls, coffee pot and milk jug

  • Object type

  • Object number

    BK-17027-A

  • Description

    Koffiekan van verguld zilver, op drie hoge poten met gevleugelde vrouwenfiguren. Het eivormige vat loopt spits toe. Gegraveerd met het gekroonde keizerlijke monogram. De tuit heeft de vorm van een drakenkop. Tegenover de tuit een hoog ebbenhouten oor.

  • Inscriptions / marks

    • maker's mark
    • mark
    • monogram
    • duty mark
    • alloy mark

Creation

  • Creation

    • silversmith: Martin Guillaume Biennais, Paris
    • designer: Charles Percier, Paris
  • Dating

    c. 1817

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Material and technique

  • Physical description

    verguld zilver, ebbenhout

  • Dimensions

    height 37 cm x width 22.5 cm x depth 16 cm x weight 2046 g


This work is about

  • Subject


Acquisition and rights

  • Copyright

  • Provenance

    See the provenance for BK-17024-A.

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


Documentation

  • Serge Grandjean, 'A dinner service by Biennais at the Rijksmuseum' The Connoisseur 142 (1958), 84-87.


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