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Street Musicians
Noritei Kôshi, c. 1790 - c. 1800
Twee rondtrekkende vrouwelijke muzikanten en een verkoper met zoetwaar. Met twee gedichten.
- Artwork typeprint
- Object numberRP-P-1991-558
- Dimensionsheight 125 mm x width 170 mm
- Physical characteristicswoodblock and stencil printing, kappazuri
Identification
Title(s)
Street Musicians
Object type
Object number
RP-P-1991-558
Description
Twee rondtrekkende vrouwelijke muzikanten en een verkoper met zoetwaar. Met twee gedichten.
Part of catalogue
Catalogue reference
- Forrer 25
- Goslings 154
Creation
Creation
- printmaker: Noritei Kôshi, Japan
- printmaker: Zentei (mentioned on object), Japan
- poet: Yomo no Utagaki Magao (mentioned on object), Japan
- poet: Kanshi Narikata (mentioned on object), Japan
Dating
c. 1790 - c. 1800
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Material and technique
Physical description
woodblock and stencil printing, kappazuri
Dimensions
height 125 mm x width 170 mm
This work is about
Subject
Acquisition and rights
Credit line
Gift of J.H.W. Goslings, Epse
Acquisition
gift 1991
Copyright
Provenance
…; purchased from the dealer C.P.J. van der Peet Japanese Prints, Amsterdam, by J.H.W. Goslings (1943-2011), Epse, near Deventer, 1984;{Coll. cat. Goslings 1999, p. 68, cat. no. 154} by whom donated to the museum, 1991
Documentation
Persistent URL
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Noritei Kôshi
Street Musicians
Japan, Japan, Japan, Japan, c. 1790 - c. 1800
Provenance
…; purchased from the dealer C.P.J. van der Peet Japanese Prints, Amsterdam, by J.H.W. Goslings (1943-2011), Epse, near Deventer, 1984;1Coll. cat. Goslings 1999, p. 68, cat. no. 154 by whom donated to the museum, 1991
Object number: RP-P-1991-558
Credit line: Gift of J.H.W. Goslings, Epse
The artist
Biography
Noritei Koshi was an occasional amateur designer.
Entry
Two itinerant female street musicians, torioi, with simple straw hats, one playing the shamisen, the other, seen from the back, playing the kokyu. To the left a shop employee carrying a lacquered tray with sweets.
Torioi usually travelled in pairs and performed on the kokyu, a three-stringed instrument played with a horsehair bow, the instrument resting on the hip. The combination of a shamisen- and a kokyu-player is less common, although Ishikawa Toyonobu depicted a male and a female musician with these instruments on a two-colour print, benizurie, dating to the 1750s.
The drawing style is reminiscent of the 'abbreviated', ryakuga, style introduced in the 1790s by Kuwagata Keisai Masayoshi (1764-1824).
Three poems by Kanshi Narikata; Shibaan [also Kasuga or Kasugaan Asahaya, a judge of the Yomogawa from the village of Kasuga in the Saku Department of Shinano Province],2Kano, Kaian (ed.), Kyoka jinmei jisho (Dictionary of Names of Kyoka Poets). Kyoto: Rinsen shoten, 1977 (1928), p. 7. and Yomo no Utagaki [Magao, 1753-1829, Shikatsube Magao, pupil of Yomo Akara. Used the name 'Yomo' from 1796, when he became a judge of the Yomogawa. Alternative name Kyokado].3Ibid. p. 214.
Narikata's poem alludes to a heavy drinker piling up sake cups while tuning the shamisen. The two other poems refer to pines and bamboo, kadomatsu, traditional New Year's decorations.
Issued by followers of the poet Yomo Magao
Signature reading: Noritei Koshi ga, followed by seal shaped as an elephant reading: Zo(?)
Produced by the Shuchodo Studio, seal: Shuchodo
Literature
M. Forrer, Surimono in the Rijksmuseum Amsterdam, Leiden 2013, no. 25
Citation
M. Forrer, 2013, 'Noritei Kôshi, Street Musicians, Japan, c. 1790 - c. 1800', in Surimono from the Goslings Collection in the Rijksmuseum, online coll. cat. Amsterdam: https://data.rijksmuseum.nl/200467451
(accessed 22 juni 2026 21:12:00 UTC+0).Footnotes
- 1Coll. cat. Goslings 1999, p. 68, cat. no. 154
- 2Kano, Kaian (ed.), Kyoka jinmei jisho (Dictionary of Names of Kyoka Poets). Kyoto: Rinsen shoten, 1977 (1928), p. 7.
- 3Ibid. p. 214.