Portrait of Sekunder Begum, a queen of Bhopal, Madhya Pradesh, India

James John Waterhouse (possibly), 1862-11

  • Artwork typephotograph, page
  • Object numberRP-F-2001-7-1122G-50
  • Dimensionsheight 106 mm x width 86 mm
  • Physical characteristicsalbuminedruk

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"human races; peoples; nationalities" by James John Waterhouse

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James John Waterhouse (possibly), 1862

Portrait of an unknown man from the Charan community with a turban, Madhya Pradesh, India

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James John Waterhouse (possibly), 1862

Portrait of a soldier Nar Sing and his wife Chundi from the Bhil tribe of Jhabua, Madhya Pradesh, India

Portrait of an unknown man from the Bhat community with a rod, Madhya Pradesh, India

James John Waterhouse (possibly), 1862

Portrait of an unknown man from the Bhat community with a rod, Madhya Pradesh, India

more by James John Waterhouse

Portrait of an unknown man from the Charan community with a turban, Madhya Pradesh, India

James John Waterhouse (possibly), 1862

Portrait of an unknown man from the Charan community with a turban, Madhya Pradesh, India

Portrait of a soldier Nar Sing and his wife Chundi from the Bhil tribe of Jhabua, Madhya Pradesh, India

James John Waterhouse (possibly), 1862

Portrait of a soldier Nar Sing and his wife Chundi from the Bhil tribe of Jhabua, Madhya Pradesh, India

Portrait of an unknown man from the Bhat community with a rod, Madhya Pradesh, India

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James John Waterhouse (possibly), 1862

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Identification

  • Title(s)

    Portrait of Sekunder Begum, a queen of Bhopal, Madhya Pradesh, India

  • Object type

  • Object number

    RP-F-2001-7-1122G-50

  • Inscriptions / marks

    • number: ‘390.’
    • inscription: ‘HER HIGHNESS./ NAWAB SEKUNDER, BEGUM G.C.S.I./ BHOPAL.’

Creation

  • Creation

    photographer: James John Waterhouse (possibly), Bhopal

  • Dating

    1862-11

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Material and technique

  • Physical description

    albuminedruk

  • Dimensions

    height 106 mm x width 86 mm

This work is about

  • Subject

Acquisition and rights

  • Credit line

    Purchased with the support of the Mondriaan Stichting, the Prins Bernhard Cultuurfonds, the VSBfonds, the Paul Huf Fonds/Rijksmuseum Fonds and the Egbert Kunstfonds

  • Acquisition

    purchase 2001

  • Copyright

    Public domain

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  • Part of

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