Portrait of Johan Servaes van Limburg (1632-1698)

attributed to Cornelis Janssens van Ceulen (II), 1663 - 1678

Adriaen van Ysselstein? (active 1653 - 1686). Portrait of Johan Servaes van Limburg, dean of the Chapel of St Marie in Utrecht. In lime frame.

Artwork typepainting
Object numberSK-A-3928
Dimensionsheight 122.5 cm x width 103.2 cm x thickness 3.7 cm, height 131.1 cm x width 118.8 cm x depth 9.8 cm
Physical characteristicsoil on canvas

Identification

Title(s)
Portrait of Johan Servaes van Limburg (1632-1698)
Object type
Object number
SK-A-3928
Description
Portret van Johan Servaes van Limburg, deken van het kapittel van Sint Marie te Utrecht. Kniestuk, staand met een wandelstok met zilveren knop in de rechterhand. Rechtsboven het wapen van de geportretteerde. Pendant van SK-A-3929.

Creation
- painter: attributed to Cornelis Janssens van Ceulen (II)
- painter: Adrianus van IJsselstein [rejected attribution]
Dating
1663 - 1678
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Physical description
oil on canvas
Material
Dimensions
- height 122.5 cm x width 103.2 cm x thickness 3.7 cm
- height 131.1 cm x width 118.8 cm x depth 9.8 cm

Acquisition
purchase 1958
Copyright
Public domain
Provenance
…; ? by descent through the families Servaes van Limborch and Van Haeften to Jacoba Sara Warmoldina van Haeften (1813-51); ? her relative, Jonkheer J.W. Hora Siccama,The Hague;{Moes II, 1905, p. 24, no. 4515.} ? his relative, Jonkheer Cornelis Hendrik Johan van Haeften (1872-1951), The Hague; his son, Jonkheer G.R.F.C. van Haeften (1914-87), Wassenaar, by 1950;{Amsterdam 1984, p. 24.}…; from the dealer A. Nijstad, Lochem, with SK-A-3929, fl. 6,000, to the museum, 1958{Provenance reconstructed in Amsterdam 1984, p. 214.}
Remarks
Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.