Italianate River Landscape with a Bridge

Caspar van Wittel, 1674 - 1736

  • Artwork typedrawing
  • Object numberRP-T-1956-58
  • Dimensionsheight 247 mm x width 407 mm
  • Physical characteristicsbrown ink, with grey wash and watercolour; framing line in dark brown ink (applied on lining)

Identification

  • Title(s)

    Italianate River Landscape with a Bridge

  • Object type

  • Object number

    RP-T-1956-58

  • Part of catalogue


Creation

  • Creation

    draftsman (artist): Caspar van Wittel

  • Dating

    1674 - 1736

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Material and technique

  • Physical description

    brown ink, with grey wash and watercolour; framing line in dark brown ink (applied on lining)

  • Dimensions

    height 247 mm x width 407 mm


This work is about

  • Subject

  • Place


Acquisition and rights

  • Credit line

    Purchased with the support of the F.G. Waller-Fonds

  • Acquisition

    purchase 1956

  • Copyright

  • Provenance

    …; ? collection Pierre Crozat (1665-1740, Paris); ? his sale, Paris (Mariette), 10 April 1741, in no. 328 (‘Vingt-Six Desseins de Paisages de Gaspar Van Vytel, André Lucatelli, Alessio de’ Marchis, & Dom Philippe Giuvara’), 58 frs., to Jean-Baptiste François Nourri (1697-1784, Paris);{Copy RKD; J.Q. van Regteren Altena, _Vereewigde stad. Rome door Nederlanders getekend, 1500-1900_, Amsterdam, 1964, p. 113; F. Arquié-Bruley _et al._, _La Collection Saint-Morys au Cabinet des Dessins du Musée du Louvre_, 2 vols., Paris 1987, I, p. 136. Possibly his sale, Paris, (Folliot & Delande), 24 February 1785 sqq.} ? collection C.P.J.-B. Bourgevin Vialart, Comte de Saint-Morys (1743-1795, Paris);{F. Arquié-Bruley _et al._, _La Collection Saint-Morys au Cabinet des Dessins du Musée du Louvre_, 2 vols., Paris 1987, I, p. 136. Possibly his sale, Paris (A.J. Paillet et al.), 6 February 1786.} …; from the dealer T. Touzet (Paris), with the support of the F.G. Waller-Fonds, fl. 32, to the museum (L. 2228), 1956

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


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